{"title":"Concert archive","description":"","products":[{"product_id":"die-juden-in-den-alpen","title":"THE JEWS IN THE ALPS","description":"\u003ch6\u003e RUTH SCHÖNTHAL\u003cstrong\u003e \u003c\/strong\u003e(1924–2006)\u003c\/h6\u003e\n\n\u003cp\u003e Concerto for Horn and Chamber Orchestra (1980)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eIN THE FIGHT WITH THE MOUNTAINS\u003c\/strong\u003e\u003cem\u003e \u003c\/em\u003e(Silent film, DE, 1921)\u003cbr\u003e \u003cem\u003eDirector:\u003c\/em\u003e Arnold Fanck (1889–1974)\u003cbr\u003e \u003cem\u003eMusic:\u003c\/em\u003e Paul Hindemith (1895–1961)\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch6\u003e Christian Loferer, Horn\u003c\/h6\u003e\n\n\u003cp\u003e Daniel Grossmann, conductor\u003c\/p\u003e\n\n\u003ch6\u003e \u003cstrong\u003eJEWISH\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n \u003cp\u003eThere were several Jewish pioneers of mountaineering when the middle classes began to conquer the mountains in the 19th century. They refute the prejudice about 'Jewish lack of sportiness' and the perception of Jewish life as mainly urban. One may know the exceptional mountaineer Paul Preuss, but the names of most of these pioneers are forgotten today - from the 1910s onwards they experienced anti-Semitism and were excluded from the Alpine clubs.\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eTODAY\u003c\/strong\u003e\u003cbr\u003e Alpine music is wind music, but contemporary horn concertos do not often appear on concert programs. We are delighted to play the horn concerto by the Jewish composer Ruth Schönthal - the soloist is a musician with roots in the mountains and also in traditional wind music: the horn player \u003ca href=\"https:\/\/www.christianloferer.de\"\u003eChristian Loferer\u003c\/a\u003e from Chiemgau.\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eFOR ALL\u003c\/strong\u003e \u003cbr\u003eThe mountain images, ice landscapes and weather panoramas of the silent film 'In Battle with the Mountains' are just as impressive today as they were a hundred years ago. To the music of Paul Hindemith, the plot of the film - the ascent of the Liskamm in the glacier area of ​​the Matterhorn - takes a back seat: 'An Alpine Symphony in Pictures' delights mountain lovers and concertgoers alike.\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":42508851118137,"sku":"","price":240428.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3IKMDB.jpg?v=1714473619"},{"product_id":"gustav-mahler-die-geschwister-mendelssohn","title":"GUSTAV MAHLER \u0026amp; THE MENDELSSOHN SIBLINGS","description":"\u003ch6\u003e\n\n \u003cstrong\u003eFANNY HENSEL née MENDELSSOHN\u003c\/strong\u003e (1805–1847)\u003c\/h6\u003e\n\n\u003cp\u003e Songs from op. 1, 8 and 9 (ca. 1822–1830)\u003cbr\u003e arranged for chamber orchestra by Tal-Haim Samnon\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eFELIX MENDELSSOHN\u003c\/strong\u003e (1809–1847)\u003cbr\u003e Infelice op. 94 – Concert Aria (1843\/51)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eGUSTAV MAHLER\u003c\/strong\u003e (1860-1911)\u003cbr\u003e Symphony No. 4 in G major (1901)\u003cbr\u003e arranged for chamber orchestra by Ronald Kornfeil\u003c\/p\u003e\n\n\u003ch6\u003e Chen Reiss, soprano\u003c\/h6\u003e\n\n\u003cp\u003e Tassilo Probst, violin\u003cbr\u003e Daniel Grossmann, conductor\u003c\/p\u003e\n\n\u003ch6\u003e\n\n \u003cstrong\u003eJEWISH\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n \u003cp\u003e\"I hear a sob in this music, a strangle sigh, that simply sounds Jewish. [...], not Hebrew, not Israelic, but Jewish, in the most universal sense,\" writes Leonard Bernstein about the music of Gustav Mahler. Mahler's work is shaped by his Jewish origins, as is that of his siblings Felix Mendelssohn and Fanny Hensel: the Jewish roots are audible, although both families assimilated into the German majority society in order to secure opportunities for themselves and their children at social recognition and careers.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eTODAY\u003c\/strong\u003e\u003cbr\u003e The oeuvre of Fanny Hensel - who, as a woman of her time, was denied a career as a composer - is still largely forgotten. Together with the Israeli soprano Chen Reiss, the JCOM is contributing to the rediscovery and dissemination of the works of Felix Mendelssohn's 'unknown sister' - with sensitively newly orchestrated songs, which we present both in recordings and on concert stages.\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eFOR ALL\u003c\/strong\u003e\u003cbr\u003e The newly compiled concert program builds bridges: In his presentations, Daniel Grossmann establishes cross-connections between the three composers, discusses their origins and shows how Mahler's 4th Symphony musically points the way into the 20th century. Come and search for clues with us!\u003c\/p\u003e\n\n\u003ch6\u003e\n\n \u003cstrong\u003eBEFORE THE CONCERT\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003eSYNAGOGUE TOUR\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003eIn conjunction with a first-category concert ticket, there is the opportunity to take part in a guided tour of the Ohel Jakob Synagogue before the concert. Registration at \u003ca href=\"mailto:info@jcom.de\"\u003e\u003cmark class=\"has-inline-color has-vivid-cyan-blue-color\"\u003einfo@jcom.de\u003c\/mark\u003e\u003c\/a\u003e , the number of participants is limited.\u003c\/em\u003e\n\n\u003c\/h6\u003e\n\n\u003cp\u003e \u003cstrong\u003eFOLLOWING THE CONCERT\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003eISRAELI-JEWISH BUFFET IN THE EINSTEIN RESTAURANT\u003c\/strong\u003e \u003cbr\u003e\u003cem\u003eYou can purchase tickets for the buffet together with your concert ticket - the buffet costs €28 per person, drinks can be ordered on site at your own expense. Space is limited. Tickets for the buffet are available \u003ca href=\"https:\/\/tickets.muenchenticket.net\/shop\/206\/link\/event\/414663\"\u003e\u003cmark class=\"has-inline-color has-vivid-cyan-blue-color\"\u003ehere\u003c\/mark\u003e\u003c\/a\u003e\u003c\/em\u003e .\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":42545860575289,"sku":null,"price":240410.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3Cheninnig_ba8c6812-2b9a-448b-9bda-8520c54058be.jpg?v=1715768809"},{"product_id":"chemnitz-kofflers-schicksal","title":"CHEMNITZ: KOFFLER'S FATE","description":"\u003ch6\u003e\n\n \u003cstrong\u003eJÓZEF KOFFLER\u003c\/strong\u003e (1896-1944)\u003c\/h6\u003e\n\n\u003cp\u003e String Trio op. 10 (1928)\u003cbr\u003e Arrangement for chamber orchestra by Nicholas Hersh\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eJOHANN SEBASTIAN BACH\u003c\/strong\u003e (1685-1750)\u003cbr\u003e Goldberg Variations BWV 988\u003cbr\u003e Arrangement for chamber orchestra by Józef Koffler\u003c\/p\u003e\n\n\u003ch6\u003e Jelena Kuljić, actress\u003c\/h6\u003e\n\n\u003cp\u003e Daniel Grossmann, conductor\u003cbr\u003e Stella Leder, Text\u003cbr\u003e Martin Valdés-Stauber, dramaturgy \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch6\u003e \u003cstrong\u003eJEWISH\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n \u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eThe fate of the Polish composer Józef Koffler (1896-1944) is exemplary for many Jewish artists of his generation: Koffler's promising career was abruptly interrupted by the rise of National Socialism, and his name and his important musical work are completely forgotten today. \u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eTODAY\u003c\/strong\u003e\u003cbr\u003e The German-Jewish dramatist Stella Leder has written a text for this project that weaves Koffler's life and his most important works into contemporary memory work. The combination of history and music - Koffler's orchestration of the Goldberg Variations and his String Trio op.10 - creates a portrait that is both personal and exemplary of the fate of many.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eFOR\u003c\/strong\u003e \u003cstrong\u003eALL\u003c\/strong\u003e \u003cbr\u003eThe Kofflers Schicksal project deals with social issues that concern us all: the personal and social handling of remembering and forgetting. The German culture of remembrance is questioned in text and music, and the concert has an impact beyond the concert hall.\u003cbr\u003e \u003cbr\u003e\u003cem\u003e'Koffler's Fate' is part of the Munich Kammerspiele's project ' \u003ca href=\"https:\/\/www.muenchner-kammerspiele.de\/de\/mk-forscht\/1194-erinnerung-als-arbeit-an-der-gegenwart\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eMemory as Work on the Present\u003c\/a\u003e '. It is funded by the Federal Government Commissioner for Culture and the Media as part of the ' \u003ca href=\"https:\/\/www.bundesregierung.de\/breg-de\/bundesregierung\/bundeskanzleramt\/staatsministerin-fuer-kultur-und-medien\/orchesterprogramm-416678\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eExcellent Orchestra Landscape in Germany\u003c\/a\u003e ' funding program and will tour Germany in 2023 and 2024. Performances for schoolchildren and students are an important part of the project.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eA piece developed in collaboration between Stella Leder (text), Martin Valdés-Stauber (dramaturgy) and Daniel Grossmann.\u003c\/span\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/BKM_2017_Web2x_de_5306e832-cd33-41ac-bf15-ba14b327a4d7.gif?v=1713795812\" width=\"259\" height=\"85\"\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":42545896882233,"sku":null,"price":240614.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/JCOM_Koffler_Szenen-110_ThomasDashuber.jpg?v=1713793623"},{"product_id":"budapest-kofflers-schicksal","title":"BUDAPEST: KOFFLER'S FATE","description":"\u003ch6\u003e\n\n \u003cstrong\u003eJÓZEF KOFFLER\u003c\/strong\u003e (1896-1944)\u003c\/h6\u003e\n\n\u003cp\u003e String Trio op. 10 (1928)  \u003cbr\u003eArrangement for chamber orchestra by Nicholas Hersh\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eJOHANN SEBASTIAN BACH\u003c\/strong\u003e (1685-1750)\u003cbr\u003e Goldberg Variations BWV 988\u003cbr\u003e Arrangement for chamber orchestra by Józef Koffler\u003c\/p\u003e\n\n\u003ch6\u003e Jelena Kuljić, actress\u003c\/h6\u003e\n\n\u003cp\u003e Daniel Grossmann, conductor\u003cbr\u003e Stella Leder, Text\u003cbr\u003e Martin Valdés-Stauber, dramaturgy \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch6\u003e \u003cstrong\u003eJEWISH\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e The fate of the Polish composer Józef Koffler (1896-1944) is exemplary for many Jewish artists of his generation: Koffler's promising career was abruptly interrupted by the rise of National Socialism, and his name and his important musical work are completely forgotten today. \u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eTODAY\u003c\/strong\u003e \u003cbr\u003eThe German-Jewish dramatist Stella Leder has written a text for this project that weaves Koffler's life and his most important works into contemporary memory work. The combination of history and music - Koffler's orchestration of the Goldberg Variations and his String Trio op.10 - creates a portrait that is both personal and exemplary of the fate of many.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eFOR\u003c\/strong\u003e \u003cstrong\u003eALL\u003c\/strong\u003e\u003cbr\u003e The Kofflers Schicksal project deals with social issues that concern us all: the personal and social handling of remembering and forgetting. The German culture of remembrance is questioned in text and music, and the concert has an impact beyond the concert hall.\u003cbr\u003e \u003cbr\u003e\u003cem\u003e'Koffler's Fate' is part of the Munich Kammerspiele's project ' \u003ca href=\"https:\/\/www.muenchner-kammerspiele.de\/de\/mk-forscht\/1194-erinnerung-als-arbeit-an-der-gegenwart\" rel=\"noopener\" target=\"_blank\"\u003eMemory as Work on the Present\u003c\/a\u003e '. It is funded by the Federal Government Commissioner for Culture and the Media as part of the ' \u003ca href=\"https:\/\/www.bundesregierung.de\/breg-de\/bundesregierung\/bundeskanzleramt\/staatsministerin-fuer-kultur-und-medien\/orchesterprogramm-416678\" rel=\"noopener\" target=\"_blank\"\u003eExcellent Orchestra Landscape in Germany\u003c\/a\u003e ' funding program and will tour Germany in 2023 and 2024. Performances for schoolchildren and students are an important part of the project.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e A piece developed in collaboration between Stella Leder (text), Martin Valdés-Stauber (dramaturgy) and Daniel Grossmann. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/BKM_2017_Web2x_de_5306e832-cd33-41ac-bf15-ba14b327a4d7.gif?v=1713795812\" width=\"259\" height=\"85\"\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":42545946263609,"sku":null,"price":240421.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3Buda8.jpg?v=1714465281"},{"product_id":"philip-glass-in-der-strafkolonie","title":"PHILIP GLASS: IN THE PENAL COLONY","description":"\u003ch6\u003e \u003cstrong\u003ePHILIP GLASS (*1937)\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e In the Penal Colony (2000)  \u003cbr\u003eChamber opera based on the short story\u003cbr\u003e \"In the Penal Colony\" by Franz Kafka\u003c\/p\u003e\n\n\u003ch6\u003e Daniel Grossmann, musical director\u003c\/h6\u003e\n\n\u003cp\u003e Martin Valdés-Stauber, scenic design\u003cbr\u003e Isabel Barnes, costumes\u003cbr\u003e Vitor Bispo, Officer\u003cbr\u003e Liam Bonthrone, visitor\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003eCarolina de la Maza, dance\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch6\u003e\n\n\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e The composer Philip Glass is known for the magnetic effect of his music; the JCOM brings his dark chamber opera In the Penal Colony to the stage of the Munich Kammerspiele with two young singers from the \u003ca href=\"https:\/\/www.staatsoper.de\/opernstudio\" rel=\"noopener\" target=\"_blank\"\u003eopera studio of the Bavarian State Opera\u003c\/a\u003e . \u003c\/h6\u003e\n\n\u003cdiv class=\"page\" title=\"Page1\"\u003e\n\n\u003cdiv class=\"section\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong\u003eJEWISH\u003c\/strong\u003e \u003cbr\u003e\"What do I have in common with Jews? I have hardly anything in common with myself.\" - Franz Kafka is one of the world's most famous Jewish artists, but his relationship with Judaism was complicated throughout his life. To mark the 100th anniversary of his death, the JCOM is bringing Philip Glass' chamber opera based on Kafka's famous story \u003cem\u003eIn the Penal Colony\u003c\/em\u003e to the stage, which is about a debate about a new method of execution in which the unsuspecting convicts are made to experience their crime first hand until they die.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eTODAY\u003c\/strong\u003e\u003cbr\u003e In the Penal Colony was written in 1914 as a reaction to a world in which violence and crimes against humanity had become frighteningly commonplace - a topic that is as relevant today as it was then. Glass's musical setting from 2000 underlines the timelessness of the play about the limits of justice and human possibility.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eFOR ALL\u003c\/strong\u003e \u003cbr\u003eThe production by director Martin Valdés-Stauber leaves plenty of space for the actors and the text: in an almost empty room, he translates Philip Glass's 'Minimal Music' into exemplary movements and gestures. The audience's imagination is called upon. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":42546225446969,"sku":null,"price":240609.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/glass-philip.jpg?v=1713785944"},{"product_id":"philip-glass-in-der-strafkolonie-schulvorstellung","title":"PHILIP GLASS: IN THE PENAL COLONY (also for school classes)","description":"\u003ch6\u003e \u003cstrong\u003ePHILIP GLASS (*1937)\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e In the Penal Colony (2000)\u003cbr\u003e Chamber opera based on the short story\u003cbr\u003e \"In the Penal Colony\" by Franz Kafka\u003c\/p\u003e\n\n\u003ch6\u003e Daniel Grossmann, musical director\u003c\/h6\u003e\n\n\u003cp\u003e Martin Valdés-Stauber, scenic design\u003cbr\u003e Isabel Barnes, costumes\u003cbr\u003e Vitor Bispo, Officer\u003cbr\u003e Liam Bonthrone, visitor\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003eCarolina de la Maza, dance\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch6\u003e\n\n\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e The composer Philip Glass is known for the captivating effect of his music; the JCOM brings his dark chamber opera In the Penal Colony to the stage of the Munich Kammerspiele with two young singers from the \u003ca rel=\"noopener\" href=\"https:\/\/www.staatsoper.de\/opernstudio\" target=\"_blank\"\u003eopera studio of the Bavarian State Opera\u003c\/a\u003e . \u003c\/h6\u003e\n\n\u003cdiv title=\"Page1\" class=\"page\"\u003e\n\n\u003cdiv class=\"section\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong\u003eJEWISH\u003c\/strong\u003e \u003cbr\u003e\"What do I have in common with Jews? I have hardly anything in common with myself.\" - Franz Kafka is one of the world's most famous Jewish artists, but his relationship with Judaism was complicated throughout his life. To mark the 100th anniversary of his death, the JCOM is bringing Philip Glass' chamber opera based on Kafka's famous story \u003cem\u003eIn the Penal Colony\u003c\/em\u003e to the stage, which is about a debate about a new method of execution in which the unsuspecting convicts are made to experience their crime first hand until they die.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eTODAY\u003c\/strong\u003e\u003cbr\u003e In the Penal Colony was written in 1914 as a reaction to a world in which violence and crimes against humanity had become frighteningly commonplace - a topic that is as relevant today as it was then. Glass's musical setting from 2000 underlines the timelessness of the play about the limits of justice and human possibility.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eFOR ALL\u003c\/strong\u003e \u003cbr\u003eThe production by director Martin Valdés-Stauber leaves plenty of space for the actors and the text: in an almost empty room, he translates Philip Glass's 'Minimal Music' into exemplary movements and gestures. The audience's imagination is called upon.\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch6\u003e \u003cstrong\u003eBOOKINGS FOR SCHOOL CLASSES AND YOUTH GROUPS\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e AGE RECOMMENDATION: from approx. 9th grade\/ 15 years\u003cbr\u003e COSTS: € 300,- per school class (smaller groups\/courses on request)\u003c\/p\u003e\n\n\u003cp\u003e BOOKING AND MORE INFORMATION THROUGH THE ORCHESTRA OFFICE\u003cbr\u003e 089 – 122 89 599 | info@jcom.de \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":42978142224441,"sku":null,"price":240610.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Kafka_d456ac55-8c54-47cf-a5fb-fffb80be7b33.jpg?v=1713787228"},{"product_id":"landsberg-in-der-strafkolonie-schulvorstellung","title":"LANDSBERG: IN THE PENAL COLONY","description":"\u003ch6\u003e \u003cstrong\u003ePHILIP GLASS (*1937)\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e In the Penal Colony (2000)\u003cbr\u003e Chamber opera based on the short story\u003cbr\u003e \"In the Penal Colony\" by Franz Kafka\u003c\/p\u003e\n\n\u003ch6\u003e Daniel Grossmann, musical director\u003c\/h6\u003e\n\n\u003cp\u003e Martin Valdés-Stauber, scenic design\u003cbr\u003e Isabel Barnes, costumes\u003cbr\u003e Vitor Bispo, Officer\u003cbr\u003e Liam Bonthrone, visitor\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003eCarolina de la Maza, dance\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch6\u003e\n\n\u003cspan data-mce-fragment=\"1\"\u003e \u003cbr\u003eThe composer Philip Glass is known for the magnetic effect of his music; the JCOM brings his dark chamber opera In the Penal Colony to the stage of the Munich Kammerspiele with two young singers from the \u003ca href=\"https:\/\/www.staatsoper.de\/opernstudio\" rel=\"noopener\" target=\"_blank\"\u003eopera studio of the Bavarian State Opera\u003c\/a\u003e . \u003c\/span\u003e\n\u003c\/h6\u003e\n\n\u003cdiv class=\"page\" title=\"Page1\"\u003e\n\n\u003cdiv class=\"section\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong\u003eJEWISH\u003c\/strong\u003e\u003cbr\u003e \"What do I have in common with Jews? I have hardly anything in common with myself.\" - Franz Kafka is one of the world's most famous Jewish artists, but his relationship with Judaism was complicated throughout his life. To mark the 100th anniversary of his death, the JCOM is bringing Philip Glass' chamber opera based on Kafka's famous story \u003cem\u003eIn the Penal Colony\u003c\/em\u003e to the stage, which is about a debate about a new method of execution in which the unsuspecting convicts are made to experience their crime first hand until they die.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eTODAY\u003c\/strong\u003e \u003cbr\u003eIn the Penal Colony was written in 1914 as a reaction to a world in which violence and crimes against humanity had become frighteningly commonplace - a topic that is as relevant today as it was then. Glass's musical setting from 2000 underlines the timelessness of the play about the limits of justice and human possibility.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eFOR ALL\u003c\/strong\u003e\u003cbr\u003e The production by director Martin Valdés-Stauber leaves plenty of space for the actors and the text: in an almost empty room, he translates Philip Glass's 'Minimal Music' into exemplary movements and gestures. The audience's imagination is called upon. \u003cbr\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":42978178793529,"sku":null,"price":240611.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Franz_Kafka__1923.jpg?v=1713893997"},{"product_id":"cottbus-kofflers-schicksal","title":"COTTBUS: KOFFLER'S FATE","description":"\u003ch6\u003e\n\n \u003cstrong\u003eJÓZEF KOFFLER\u003c\/strong\u003e (1896-1944)\u003c\/h6\u003e\n\n\u003cp\u003e String Trio op. 10 (1928)\u003cbr\u003e Arrangement for chamber orchestra by Nicholas Hersh\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eJOHANN SEBASTIAN BACH\u003c\/strong\u003e (1685-1750)\u003cbr\u003e Goldberg Variations BWV 988\u003cbr\u003e Arrangement for chamber orchestra by Józef Koffler\u003c\/p\u003e\n\n\u003ch6\u003e Jelena Kuljić, actress\u003c\/h6\u003e\n\n\u003cp\u003e Daniel Grossmann, conductor\u003cbr\u003e Stella Leder, Text \u003cbr\u003eMartin Valdés-Stauber, dramaturgy \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch6\u003e \u003cstrong\u003eJEWISH\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e The fate of the Polish composer Józef Koffler (1896-1944) is exemplary for many Jewish artists of his generation: Koffler's promising career was abruptly interrupted by the rise of National Socialism, and his name and his important musical work are completely forgotten today. \u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eTODAY\u003c\/strong\u003e\u003cbr\u003e The German-Jewish dramatist Stella Leder has written a text for this project that weaves Koffler's life and his most important works into contemporary memory work. The combination of history and music - Koffler's orchestration of the Goldberg Variations and his String Trio op.10 - creates a portrait that is both personal and exemplary of the fate of many.\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eFOR\u003c\/strong\u003e \u003cstrong\u003eALL\u003c\/strong\u003e\u003cbr\u003e The Kofflers Schicksal project deals with social issues that concern us all: the personal and social handling of remembering and forgetting. The German culture of remembrance is questioned in text and music, and the concert has an impact beyond the concert hall.\u003cbr\u003e \u003cbr\u003e\u003cem\u003e'Koffler's Fate' is part of the Munich Kammerspiele's project ' \u003ca href=\"https:\/\/www.muenchner-kammerspiele.de\/de\/mk-forscht\/1194-erinnerung-als-arbeit-an-der-gegenwart\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eMemory as Work on the Present\u003c\/a\u003e '. It is funded by the Federal Government Commissioner for Culture and the Media as part of the ' \u003ca href=\"https:\/\/www.bundesregierung.de\/breg-de\/bundesregierung\/bundeskanzleramt\/staatsministerin-fuer-kultur-und-medien\/orchesterprogramm-416678\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eExcellent Orchestra Landscape in Germany\u003c\/a\u003e ' funding program and will tour Germany in 2023 and 2024. Performances for schoolchildren and students are an important part of the project.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eA piece developed in collaboration between Stella Leder (text), Martin Valdés-Stauber (dramaturgy) and Daniel Grossmann.\u003c\/span\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/BKM_2017_Web2x_de_5306e832-cd33-41ac-bf15-ba14b327a4d7.gif?v=1713795812\" width=\"259\" height=\"85\"\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43093660434489,"sku":null,"price":240615.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3Koffler.jpg?v=1714487810"},{"product_id":"bachfest-leipzig-kofflers-schicksal","title":"BACHFEST LEIPZIG: KOFFLER’S FATE","description":"\u003ch6\u003e\n\n \u003cstrong\u003eJÓZEF KOFFLER\u003c\/strong\u003e (1896-1944)\u003c\/h6\u003e\n\n \u003cp\u003eString Trio op. 10 (1928)\u003cbr\u003e Arrangement for chamber orchestra by Nicholas Hersh\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eJOHANN SEBASTIAN BACH\u003c\/strong\u003e (1685-1750)\u003cbr\u003e Goldberg Variations BWV 988\u003cbr\u003e Arrangement for chamber orchestra by Józef Koffler\u003c\/p\u003e\n\n\u003ch6\u003e Jelena Kuljić, actress\u003c\/h6\u003e\n\n\u003cp\u003e Daniel Grossmann, conductor\u003cbr\u003e Stella Leder, Text\u003cbr\u003e Martin Valdés-Stauber, dramaturgy \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch6\u003e \u003cstrong\u003eJEWISH\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e The fate of the Polish composer Józef Koffler (1896-1944) is exemplary for many Jewish artists of his generation: Koffler's promising career was abruptly interrupted by the rise of National Socialism, and his name and his important musical work are completely forgotten today. \u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eTODAY\u003c\/strong\u003e \u003cbr\u003eThe German-Jewish dramatist Stella Leder has written a text for this project that weaves Koffler's life and his most important works into contemporary memory work. The combination of history and music - Koffler's orchestration of the Goldberg Variations and his String Trio op.10 - creates a portrait that is both personal and exemplary of the fate of many.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eFOR\u003c\/strong\u003e \u003cstrong\u003eALL\u003c\/strong\u003e\u003cbr\u003e The Kofflers Schicksal project deals with social issues that concern us all: the personal and social handling of remembering and forgetting. The German culture of remembrance is questioned in text and music, and the concert has an impact beyond the concert hall.\u003cbr\u003e \u003cbr\u003e\u003cem\u003e'Koffler's Fate' is part of the Munich Kammerspiele's project ' \u003ca href=\"https:\/\/www.muenchner-kammerspiele.de\/de\/mk-forscht\/1194-erinnerung-als-arbeit-an-der-gegenwart\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eMemory as Work on the Present\u003c\/a\u003e '. It is funded by the Federal Government Commissioner for Culture and the Media as part of the ' \u003ca href=\"https:\/\/www.bundesregierung.de\/breg-de\/bundesregierung\/bundeskanzleramt\/staatsministerin-fuer-kultur-und-medien\/orchesterprogramm-416678\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eExcellent Orchestra Landscape in Germany\u003c\/a\u003e ' funding program and will tour Germany in 2023 and 2024. Performances for schoolchildren and students are an important part of the project.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eA piece developed in collaboration between Stella Leder (text), Martin Valdés-Stauber (dramaturgy) and Daniel Grossmann.\u003c\/span\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/BKM_2017_Web2x_de_5306e832-cd33-41ac-bf15-ba14b327a4d7.gif?v=1713795812\" width=\"259\" height=\"85\"\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43093690548281,"sku":null,"price":240616.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3KofflerDG.webp?v=1714488610"},{"product_id":"villingen-mahler-die-mendelssohns","title":"VILLINGEN: MAHLER \u0026amp; THE MENDELSSOHNS","description":"\u003ch6\u003e\n\n \u003cstrong\u003eFANNY HENSEL née MENDELSSOHN\u003c\/strong\u003e (1805–1847)\u003c\/h6\u003e\n\n \u003cp\u003eSongs from op. 1, 8 and 9 (ca. 1822–1830)\u003cbr\u003e arranged for chamber orchestra by Tal-Haim Samnon\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eFELIX MENDELSSOHN\u003c\/strong\u003e (1809–1847)\u003cbr\u003e Infelice op. 94 – Concert Aria (1843\/51)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eGUSTAV MAHLER\u003c\/strong\u003e (1860-1911)\u003cbr\u003e Symphony No. 4 in G major (1901)\u003cbr\u003e arranged for chamber orchestra by Ronald Kornfeil\u003c\/p\u003e\n\n\u003ch6\u003e Chen Reiss, soprano\u003c\/h6\u003e\n\n\u003cp\u003e Tassilo Probst, violin\u003cbr\u003e Daniel Grossmann, conductor\u003c\/p\u003e\n\n\u003ch6\u003e\n\n \u003cstrong\u003eJEWISH\u003c\/strong\u003e\u003cbr\u003e \"I hear a sob in this music, a strangle sigh, that simply sounds Jewish. [...], not Hebrew, not Israelic, but Jewish, in the most universal sense,\" writes Leonard Bernstein about the music of Gustav Mahler. Mahler's work is shaped by his Jewish origins, as is that of his siblings Felix Mendelssohn and Fanny Hensel: the Jewish roots are audible, although both families assimilated into the German majority society in order to secure opportunities for themselves and their children at social recognition and careers.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eTODAY\u003c\/strong\u003e \u003cbr\u003eThe oeuvre of Fanny Hensel - who, as a woman of her time, was denied a career as a composer - is still largely forgotten. Together with the Israeli soprano Chen Reiss, the JCOM is contributing to the rediscovery and dissemination of the works of Felix Mendelssohn's 'unknown sister' - with sensitively newly orchestrated songs, which we present both in recordings and on concert stages.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eFOR ALL\u003c\/strong\u003e\u003cbr\u003e The newly compiled concert program builds bridges: In his presentations, Daniel Grossmann establishes cross-connections between the three composers, discusses their origins and shows how Mahler's 4th Symphony musically points the way into the 20th century. Come and search for clues with us!\u003cbr\u003e\n\u003c\/h6\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43112067399737,"sku":null,"price":240620.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/JCOM_HubertBurda2024-191_ThomasDashuber.jpg?v=1714734103"},{"product_id":"villingen-mahler-die-mendelssohns-kopie","title":"TOBLACH: MAHLER \u0026amp; THE MENDELSSOHNS","description":"\u003ch6\u003e\n\n \u003cstrong\u003eFANNY HENSEL née MENDELSSOHN\u003c\/strong\u003e (1805–1847)\u003c\/h6\u003e\n\n\u003cp\u003e Songs from op. 1, 8 and 9 (ca. 1822–1830)\u003cbr\u003e arranged for chamber orchestra by Tal-Haim Samnon\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eFELIX MENDELSSOHN\u003c\/strong\u003e (1809–1847) \u003cbr\u003eInfelice op. 94 – Concert Aria (1843\/51)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eGUSTAV MAHLER\u003c\/strong\u003e (1860-1911)\u003cbr\u003e Symphony No. 4 in G major (1901)\u003cbr\u003e arranged for chamber orchestra by Ronald Kornfeil\u003c\/p\u003e\n\n\u003ch6\u003e Chen Reiss, soprano\u003c\/h6\u003e\n\n\u003cp\u003e Tassilo Probst, violin\u003cbr\u003e Daniel Grossmann, conductor\u003c\/p\u003e\n\n\u003ch6\u003e\n\n \u003cstrong\u003eJEWISH\u003c\/strong\u003e\u003cbr\u003e \"I hear a sob in this music, a strangle sigh, that simply sounds Jewish. [...], not Hebrew, not Israelic, but Jewish, in the most universal sense,\" writes Leonard Bernstein about the music of Gustav Mahler. Mahler's work is shaped by his Jewish origins, as is that of his siblings Felix Mendelssohn and Fanny Hensel: the Jewish roots are audible, although both families assimilated into the German majority society in order to secure opportunities for themselves and their children at social recognition and careers.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eTODAY\u003c\/strong\u003e \u003cbr\u003eThe oeuvre of Fanny Hensel - who, as a woman of her time, was denied a career as a composer - is still largely forgotten. Together with the Israeli soprano Chen Reiss, the JCOM is contributing to the rediscovery and dissemination of the works of Felix Mendelssohn's 'unknown sister' - with sensitively newly orchestrated songs, which we present both in recordings and on concert stages.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eFOR ALL\u003c\/strong\u003e\u003cbr\u003e The newly compiled concert program builds bridges: In his presentations, Daniel Grossmann establishes cross-connections between the three composers, discusses their origins and shows how Mahler's 4th Symphony musically points the way into the 20th century. Come and search for clues with us!\u003cbr\u003e\n\u003c\/h6\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43112074215481,"sku":null,"price":240713.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/PMMStairs.jpg?v=1714734627"},{"product_id":"duesseldorf-kofflers-schicksal","title":"DÜSSELDORF: KOFFLER'S FATE","description":"\u003ch6\u003e\n\n \u003cstrong\u003eJÓZEF KOFFLER\u003c\/strong\u003e (1896-1944)\u003c\/h6\u003e\n\n\u003cp\u003e String Trio op. 10 (1928)\u003cbr\u003e Arrangement for chamber orchestra by Nicholas Hersh\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eJOHANN SEBASTIAN BACH\u003c\/strong\u003e (1685-1750)\u003cbr\u003e Goldberg Variations BWV 988\u003cbr\u003e Arrangement for chamber orchestra by Józef Koffler\u003c\/p\u003e\n\n\u003ch6\u003e Jelena Kuljić, actress\u003c\/h6\u003e\n\n\u003cp\u003e Daniel Grossmann, conductor\u003cbr\u003e Stella Leder, Text\u003cbr\u003e Martin Valdés-Stauber, dramaturgy \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003ch6\u003e\u003cstrong\u003eJEWISH\u003c\/strong\u003e\u003c\/h6\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e The fate of the Polish composer Józef Koffler (1896-1944) is exemplary for many Jewish artists of his generation: Koffler's promising career was abruptly interrupted by the rise of National Socialism, and his name and his important musical work are completely forgotten today. \u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eTODAY\u003c\/strong\u003e\u003cbr\u003e The German-Jewish dramatist Stella Leder has written a text for this project that weaves Koffler's life and his most important works into contemporary memory work. The combination of history and music - Koffler's orchestration of the Goldberg Variations and his String Trio op.10 - creates a portrait that is both personal and exemplary of the fate of many.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eFOR\u003c\/strong\u003e \u003cstrong\u003eALL\u003c\/strong\u003e \u003cbr\u003eThe Kofflers Schicksal project deals with social issues that concern us all: the personal and social handling of remembering and forgetting. The German culture of remembrance is questioned in text and music, and the concert has an impact beyond the concert hall.\u003cbr\u003e \u003cbr\u003e\u003cem\u003e'Koffler's Fate' is part of the Munich Kammerspiele's project ' \u003ca href=\"https:\/\/www.muenchner-kammerspiele.de\/de\/mk-forscht\/1194-erinnerung-als-arbeit-an-der-gegenwart\" rel=\"noopener\" target=\"_blank\"\u003eMemory as Work on the Present\u003c\/a\u003e '. It is funded by the Federal Government Commissioner for Culture and the Media as part of the ' \u003ca href=\"https:\/\/www.bundesregierung.de\/breg-de\/bundesregierung\/bundeskanzleramt\/staatsministerin-fuer-kultur-und-medien\/orchesterprogramm-416678\" rel=\"noopener\" target=\"_blank\"\u003eExcellent Orchestra Landscape in Germany\u003c\/a\u003e ' funding program and will tour Germany in 2023 and 2024. Performances for schoolchildren and students are an important part of the project.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e A piece developed in collaboration between Stella Leder (text), Martin Valdés-Stauber (dramaturgy) and Daniel Grossmann. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/BKM_2017_Web2x_de_5306e832-cd33-41ac-bf15-ba14b327a4d7.gif?v=1713795812\" width=\"259\" height=\"85\"\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43204739530809,"sku":null,"price":240421.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3KofflerOrch.jpg?v=1714487833"},{"product_id":"bielefeld-mahler-die-mendelssohns","title":"BIELEFELD: MAHLER \u0026amp; THE MENDELSSOHNS","description":"\u003ch6\u003e\n\n \u003cstrong\u003eFANNY HENSEL née MENDELSSOHN\u003c\/strong\u003e (1805–1847)\u003c\/h6\u003e\n\n \u003cp\u003eSongs from op. 1, 8 and 9 (ca. 1822–1830)\u003cbr\u003e \u003cem\u003earranged for chamber orchestra by Tal-Haim Samnon\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eFELIX MENDELSSOHN\u003c\/strong\u003e (1809–1847)\u003cbr\u003e Infelice op. 94 – Concert Aria (1843\/51)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eGUSTAV MAHLER\u003c\/strong\u003e (1860-1911)\u003cbr\u003e Symphony No. 4 in G major (1901)\u003cbr\u003e \u003cem\u003earranged for chamber orchestra by Ronald Kornfeil\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch6\u003e Chen Reiss, soprano\u003c\/h6\u003e\n\n\u003cp\u003e Tassilo Probst, violin\u003cbr\u003e Daniel Grossmann, conductor\u003c\/p\u003e\n\n\u003ch6\u003e \u003cstrong\u003eJEWISH\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e \"I hear a sob in this music, a strangle sigh, that simply sounds Jewish. [...], not Hebrew, not Israelic, but Jewish, in the most universal sense,\" writes Leonard Bernstein about the music of Gustav Mahler. Mahler's work is shaped by his Jewish origins, as is that of his siblings Felix Mendelssohn and Fanny Hensel: the Jewish roots are audible, although both families assimilated into the German majority society in order to secure opportunities for themselves and their children at social recognition and careers.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eTODAY\u003c\/strong\u003e \u003cbr\u003eThe oeuvre of Fanny Hensel - who, as a woman of her time, was denied a career as a composer - is still largely forgotten. Together with the Israeli soprano Chen Reiss, the JCOM is contributing to the rediscovery and dissemination of the works of Felix Mendelssohn's 'unknown sister' - with sensitively newly orchestrated songs, which we present both in recordings and on concert stages.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eFOR ALL\u003c\/strong\u003e\u003cbr\u003e The newly compiled concert program builds bridges: In his presentations, Daniel Grossmann establishes cross-connections between the three composers, discusses their origins and shows how Mahler's 4th Symphony musically points the way into the 20th century. Come and search for clues with us!\u003cbr\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43204755750969,"sku":null,"price":240410.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3BieleChen_196dc947-6a0c-44f6-bf5f-3b5984f4767b.jpg?v=1715768329"},{"product_id":"beckett-feldman-words-music","title":"BECKETT\/FELDMAN: WORDS \u0026amp; MUSIC ","description":"\u003cdiv title=\"Pages 3\" class=\"page\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003ch6\u003e\n\n \u003cspan\u003e\u003cstrong\u003eJOHN CAGE (1912-1992)\u003c\/strong\u003e\u003cbr\u003e In a Landscape (1948) -\u003c\/span\u003e \u003cspan\u003eFreddy Kempf,\u003c\/span\u003e \u003cspan\u003epiano\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\n\u003c\/h6\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cstrong\u003eSAMUEL BECKETT \/ MORTON FELDMAN\u003c\/strong\u003e\u003cbr\u003e Words \u0026amp; Music (1987)\u003c\/span\u003e\u003c\/p\u003e\n\n \u003ch6\u003e\u003cspan\u003eWalter Hess, speaker (Krak)\u003c\/span\u003e\u003c\/h6\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e \u003cspan\u003eStefan Merki, speaker (Joe\/'Words')\u003cbr\u003e\u003c\/span\u003e Daniel Grossmann, conductor\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cp\u003e A classic Beckett play with the great actors Walter Hess and Stefan Merki on the stage of the Munich Kammerspiele: In 'Words \u0026amp; Music', language and music fight for supremacy. Which came first? And what is more important?\u003c\/p\u003e\n\n\u003ch6\u003e \u003cstrong\u003eJEWISH\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e \u003cspan\u003eWas Samuel Beckett Jewish? No, he wasn't. But the composer he entrusted with the setting of his radio play Words \u0026amp; Music was: Morton Feldman. \"Because I am Jewish, I cannot identify with the music of Western civilization. If Bach gives us a diminished fourth, I cannot say that the diminished fourth means 'O God'. [...] Our morality in music is the German music of the nineteenth century, isn't it? I think about it, and I think about the fact that I want to be the first great composer who is Jewish.\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eTODAY\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eThe theme is timeless and always relevant: Salieri already dealt with it in\u003c\/span\u003e \u003cem\u003ePrima la musica, poi le parole\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cspan\u003e(engl.\u003c\/span\u003e \u003cem\u003eFirst the music, then the words\u003c\/em\u003e \u003cspan\u003e) with what is probably more important. Beckett lets the characters 'words' and the 'music' represented by an instrumental ensemble confront each other - the audience can decide for themselves which level of communication moves them more.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eFOR ALL\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eAn evening for everyone, an evening for the celebrant\u003c\/span\u003e \u003ca rel=\"noreferrer noopener\" href=\"https:\/\/www.muenchner-kammerspiele.de\/de\/wir\/261-walter-hess\" target=\"_blank\"\u003eWalter Hess\u003c\/a\u003e \u003cspan\u003e. We are celebrating the 85th birthday of the actor, who has been on the stage of the Munich Kammerspiele since 2002. A classic Beckett evening with two great actors: the celebrant and Stefan Merki – be there!\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43204960682041,"sku":null,"price":240428.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3Beckett.jpg?v=1715773061"},{"product_id":"dresden-kofflers-schicksal","title":"DRESDEN: KOFFLER'S FATE","description":"\u003ch6\u003e\n\n \u003cstrong\u003eJÓZEF KOFFLER\u003c\/strong\u003e (1896-1944)\u003c\/h6\u003e\n\n \u003cp\u003eString Trio op. 10 (1928)\u003cbr\u003e Arrangement for chamber orchestra by Nicholas Hersh\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eJOHANN SEBASTIAN BACH\u003c\/strong\u003e (1685-1750)\u003cbr\u003e Goldberg Variations BWV 988\u003cbr\u003e Arrangement for chamber orchestra by Józef Koffler\u003c\/p\u003e\n\n\u003ch6\u003e Jelena Kuljić, actress\u003c\/h6\u003e\n\n\u003cp\u003e Daniel Grossmann, conductor\u003cbr\u003e Stella Leder, Text\u003cbr\u003e Martin Valdés-Stauber, dramaturgy \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch6\u003e \u003cstrong\u003eJEWISH\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e The fate of the Polish composer Józef Koffler (1896-1944) is exemplary for many Jewish artists of his generation: Koffler's promising career was abruptly interrupted by the rise of National Socialism, and his name and his important musical work are completely forgotten today. \u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eTODAY\u003c\/strong\u003e \u003cbr\u003eThe German-Jewish dramatist Stella Leder has written a text for this project that weaves Koffler's life and his most important works into contemporary memory work. The combination of history and music - Koffler's orchestration of the Goldberg Variations and his String Trio op.10 - creates a portrait that is both personal and exemplary of the fate of many.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eFOR\u003c\/strong\u003e \u003cstrong\u003eALL\u003c\/strong\u003e\u003cbr\u003e The Kofflers Schicksal project deals with social issues that concern us all: the personal and social handling of remembering and forgetting. The German culture of remembrance is questioned in text and music, and the concert has an impact beyond the concert hall.\u003cbr\u003e \u003cbr\u003e\u003cem\u003e'Koffler's Fate' is part of the Munich Kammerspiele's project ' \u003ca href=\"https:\/\/www.muenchner-kammerspiele.de\/de\/mk-forscht\/1194-erinnerung-als-arbeit-an-der-gegenwart\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eMemory as Work on the Present\u003c\/a\u003e '. It is funded by the Federal Government Commissioner for Culture and the Media as part of the ' \u003ca href=\"https:\/\/www.bundesregierung.de\/breg-de\/bundesregierung\/bundeskanzleramt\/staatsministerin-fuer-kultur-und-medien\/orchesterprogramm-416678\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eExcellent Orchestra Landscape in Germany\u003c\/a\u003e ' funding program and will tour Germany in 2023 and 2024. Performances for schoolchildren and students are an important part of the project.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eA piece developed in collaboration between Stella Leder (text), Martin Valdés-Stauber (dramaturgy) and Daniel Grossmann.\u003c\/span\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/BKM_2017_Web2x_de_5306e832-cd33-41ac-bf15-ba14b327a4d7.gif?v=1713795812\" width=\"259\" height=\"85\"\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43205022711865,"sku":null,"price":240615.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3KofflerJelena_Max_f3a3c2cc-ad31-4e30-97f0-52e901198cbd.jpg?v=1715777954"},{"product_id":"more-jewish-jazz","title":"MORE JEWISH JAZZ","description":"\u003ch6\u003e\n\n \u003cstrong\u003eGEORGE GERSHWIN\u003c\/strong\u003e (1898-1937)\u003c\/h6\u003e\n\n\u003cp\u003e An American in Paris (1951) \u003cbr\u003eSongs ( \u003cem\u003eArrangement: Michael Wilhelmi\u003c\/em\u003e )\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e \u003cstrong\u003e\u003cbr\u003eDARIUS MILHAUD\u003c\/strong\u003e (1892-1974)\u003cbr\u003e The Creation of the World (1923)\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eDMITRI SHOSTAKOVICH\u003c\/strong\u003e (1906-1975)\u003cbr\u003e Jazz Suite No. 1 (1934)\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eDUKE ELLINGTON\u003c\/strong\u003e (1899-1974)\u003cbr\u003e Songs ( \u003cem\u003eArrangement: Michael Wilhelmi\u003c\/em\u003e )\u003c\/p\u003e\n\n\u003ch6\u003e Jelena Kuljić, singer\u003c\/h6\u003e\n\n\u003cp\u003e Daniel Grossmann, conductor\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch6\u003e\n\n\u003cbr\u003e \u003cstrong\u003eJEWISH\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e \u003cspan\u003eJews and jazz? Numerous Jewish musicians were involved in the early success of jazz: Benny Goodman, Artie Shaw and George Gershwin are probably the most prominent names. Classical composers were also unable to escape the new musical style in the 1920s and 1930s, for example Darius Milhaud or Dimitrij Shostakovich, who was even a member of the official 'Soviet Jazz Commission'.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eTODAY\u003c\/strong\u003e\u003cbr\u003e \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eHear jazz songs like never before: Kammerspiel actress\u003c\/span\u003e \u003ca rel=\"noreferrer noopener\" href=\"https:\/\/www.muenchner-kammerspiele.de\/de\/wir\/149-jelena-kulji\" target=\"_blank\"\u003eJelena Kuljić\u003c\/a\u003e \u003cspan\u003e, front woman of the band KUU!, together with the\u003c\/span\u003e \u003ca href=\"https:\/\/jcom.de\/orchester\"\u003eJCOM,\u003c\/a\u003e brings \u003cspan\u003eclassic songs and evergreens by George\u003c\/span\u003e \u003ca href=\"https:\/\/jcom.de\/composer-george-gershwin\/\"\u003eGershwin\u003c\/a\u003e \u003cspan\u003eand Duke Ellington into the present day.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eFOR ALL\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e Last year's \u003cem\u003eJewish Jazz\u003c\/em\u003e \u003cspan\u003econcert\u003c\/span\u003e \u003cspan\u003esold out quickly and showed that jazz is still music for everyone today! Secure your seats for\u003c\/span\u003e \u003cem\u003eMore Jewish Jazz\u003c\/em\u003e \u003cspan\u003eand a new, exciting program!\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43205030019129,"sku":null,"price":240410.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3JazzMotiv.jpg?v=1715774566"},{"product_id":"bochum-kofflers-schicksal","title":"BOCHUM: KOFFLER'S FATE","description":"\u003ch6\u003e\n\n\u003cstrong\u003eJÓZEF KOFFLER\u003c\/strong\u003e (1896-1944)\u003c\/h6\u003e\n\n\u003cp\u003e String Trio op. 10 (1928)\u003cbr\u003e Arrangement for chamber orchestra by Nicholas Hersh\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eJOHANN SEBASTIAN BACH\u003c\/strong\u003e (1685-1750)\u003cbr\u003e Goldberg Variations BWV 988\u003cbr\u003e Arrangement for chamber orchestra by Józef Koffler\u003c\/p\u003e\n\n\u003ch6\u003e Jelena Kuljić, actress\u003c\/h6\u003e\n\n\u003cp\u003e Daniel Grossmann, conductor\u003cbr\u003e Stella Leder, Text\u003cbr\u003e Martin Valdés-Stauber, dramaturgy \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch6\u003e \u003cstrong\u003eJEWISH\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e The fate of the Polish composer Józef Koffler (1896-1944) is exemplary for many Jewish artists of his generation: Koffler's promising career was abruptly interrupted by the rise of National Socialism, and his name and his important musical work are completely forgotten today. \u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eTODAY\u003c\/strong\u003e \u003cbr\u003eThe German-Jewish dramatist Stella Leder has written a text for this project that weaves Koffler's life and his most important works into contemporary memory work. The combination of history and music - Koffler's orchestration of the Goldberg Variations and his String Trio op.10 - creates a portrait that is both personal and exemplary of the fate of many.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eFOR\u003c\/strong\u003e \u003cstrong\u003eALL\u003c\/strong\u003e\u003cbr\u003e The Kofflers Schicksal project deals with social issues that concern us all: the personal and social handling of remembering and forgetting. The German culture of remembrance is questioned in text and music, and the concert has an impact beyond the concert hall.\u003cbr\u003e \u003cbr\u003e\u003cem\u003e'Koffler's Fate' is part of the Munich Kammerspiele's project ' \u003ca href=\"https:\/\/www.muenchner-kammerspiele.de\/de\/mk-forscht\/1194-erinnerung-als-arbeit-an-der-gegenwart\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eMemory as Work on the Present\u003c\/a\u003e '. It is funded by the Federal Government Commissioner for Culture and the Media as part of the ' \u003ca href=\"https:\/\/www.bundesregierung.de\/breg-de\/bundesregierung\/bundeskanzleramt\/staatsministerin-fuer-kultur-und-medien\/orchesterprogramm-416678\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eExcellent Orchestra Landscape in Germany\u003c\/a\u003e ' funding program and will tour Germany in 2023 and 2024. Performances for schoolchildren and students are an important part of the project.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eA piece developed in collaboration between Stella Leder (text), Martin Valdés-Stauber (dramaturgy) and Daniel Grossmann.\u003c\/span\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/BKM_2017_Web2x_de_5306e832-cd33-41ac-bf15-ba14b327a4d7.gif?v=1713795812\" width=\"259\" height=\"85\"\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43205156274233,"sku":null,"price":240614.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3Koffler_35c92e06-4778-4e05-bf38-9bca7dd161c8.jpg?v=1715778389"},{"product_id":"hamburg-kofflers-schicksal","title":"HAMBURG: KOFFLER'S FATE","description":"\u003ch6\u003e\n\n \u003cstrong\u003eJÓZEF KOFFLER\u003c\/strong\u003e (1896-1944)\u003c\/h6\u003e\n\n\u003cp\u003e String Trio op. 10 (1928)  \u003cbr\u003eArrangement for chamber orchestra by Nicholas Hersh\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eJOHANN SEBASTIAN BACH\u003c\/strong\u003e (1685-1750)\u003cbr\u003e Goldberg Variations BWV 988\u003cbr\u003e Arrangement for chamber orchestra by Józef Koffler\u003c\/p\u003e\n\n\u003ch6\u003e Jelena Kuljić, actress\u003c\/h6\u003e\n\n\u003cp\u003e Daniel Grossmann, conductor\u003cbr\u003e Stella Leder, Text\u003cbr\u003e Martin Valdés-Stauber, dramaturgy \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch6\u003e \u003cstrong\u003eJEWISH\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e The fate of the Polish composer Józef Koffler (1896-1944) is exemplary for many Jewish artists of his generation: Koffler's promising career was abruptly interrupted by the rise of National Socialism, and his name and his important musical work are completely forgotten today. \u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eTODAY\u003c\/strong\u003e \u003cbr\u003eThe German-Jewish dramatist Stella Leder has written a text for this project that weaves Koffler's life and his most important works into contemporary memory work. The combination of history and music - Koffler's orchestration of the Goldberg Variations and his String Trio op.10 - creates a portrait that is both personal and exemplary of the fate of many.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eFOR\u003c\/strong\u003e \u003cstrong\u003eALL\u003c\/strong\u003e\u003cbr\u003e The Kofflers Schicksal project deals with social issues that concern us all: the personal and social handling of remembering and forgetting. The German culture of remembrance is questioned in text and music, and the concert has an impact beyond the concert hall.\u003cbr\u003e \u003cbr\u003e\u003cem\u003e'Koffler's Fate' is part of the Munich Kammerspiele's project ' \u003ca href=\"https:\/\/www.muenchner-kammerspiele.de\/de\/mk-forscht\/1194-erinnerung-als-arbeit-an-der-gegenwart\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eMemory as Work on the Present\u003c\/a\u003e '. It is funded by the Federal Government Commissioner for Culture and the Media as part of the ' \u003ca href=\"https:\/\/www.bundesregierung.de\/breg-de\/bundesregierung\/bundeskanzleramt\/staatsministerin-fuer-kultur-und-medien\/orchesterprogramm-416678\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eExcellent Orchestra Landscape in Germany\u003c\/a\u003e ' funding program and will tour Germany in 2023 and 2024. Performances for schoolchildren and students are an important part of the project.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eA piece developed in collaboration between Stella Leder (text), Martin Valdés-Stauber (dramaturgy) and Daniel Grossmann.\u003c\/span\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/BKM_2017_Web2x_de_5306e832-cd33-41ac-bf15-ba14b327a4d7.gif?v=1713795812\" width=\"259\" height=\"85\"\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43205166628921,"sku":null,"price":240614.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3KofflerJelena.jpg?v=1714487820"},{"product_id":"judisches-neujahrskonzert-5785","title":"JEWISH NEW YEAR CONCERT 5785","description":"\u003ch6\u003e Chaim Stern, Cantor\u003c\/h6\u003e\n\n\u003cp\u003e Netanel Olivitsky, Cantor\u003cbr\u003e Daniel Grossmann, conductor\u003c\/p\u003e\n\n\u003ch6\u003e \u003cstrong\u003eJEWISH\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e \u003cspan\u003eNew Year in the fall? Celebrate Rosh Hashanah (literally, the 'head of the year') with us with festive synagogue music and evergreens of Jewish folk music, marking the beginning of the Jewish year 5785. During the intermission, we invite you to enjoy traditional apples with honey: Shana Tovah – a sweet New Year!\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eTODAY\u003cbr\u003e\u003c\/strong\u003e \u003cspan\u003eCantorial music is thousands of years old, but has continued to evolve; today, the cantors ('chasanim') are captivating entertainers. For over 10 years, the\u003c\/span\u003e JCOM \u003cspan\u003eJewish New Year's Concert\u003c\/span\u003e has been \u003cspan\u003ea highlight of the Munich concert calendar, bringing this tradition to us.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eFOR ALL\u003c\/strong\u003e \u003cbr\u003e\u003cspan\u003eThe audience at the New Year's Concert is diverse: Jewish and non-Jewish, young and old, from Munich and all over the world. It's a celebration for everyone! You don't need to bring anything: Conductor Daniel Grossmann will lead the concert. Prepare to be captivated!\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43205177212985,"sku":null,"price":240428.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3ChaimStern.jpg?v=1715776921"},{"product_id":"judisches-neujahrskonzert-5784","title":"JEWISH NEW YEAR CONCERT 5784","description":"\u003ch6\u003e Chaim Gantz, Cantor\u003c\/h6\u003e\n\n\u003cp\u003e Israel Nachman Turgeman, Cantor\u003cbr\u003e Daniel Grossmann, conductor\u003c\/p\u003e\n\n\u003ch6\u003e \u003cstrong\u003eJEWISH\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e \u003cspan\u003eNew Year in autumn? Celebrate Rosh Hashanah (literally the 'head of the year') with us with festive music from the synagogue and evergreens from Jewish folk music, which marks the beginning of the Jewish year 5784. During the break we invite you to enjoy traditional apples with honey: shana tova - a sweet new year!\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eTODAY\u003c\/strong\u003e \u003cbr\u003e\u003cspan\u003eCantorial music is thousands of years old, but has continued to develop; today the cantors ('Chasanim') are captivating entertainers. For 10 years, the\u003c\/span\u003e JCOM's \u003cspan\u003eJewish New Year's Concert\u003c\/span\u003e has been \u003cspan\u003ea highlight in the Munich concert calendar and brings this tradition to us.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eFOR ALL\u003cbr\u003e\u003c\/strong\u003e \u003cspan\u003eThe audience at the New Year's Concert is a diverse mix: Jewish and non-Jewish, young and old, from Munich and all over the world. It's a celebration for everyone! You don't need to bring anything: conductor Daniel Grossmann will lead the concert. Let yourself be inspired!\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43205243240505,"sku":null,"price":240428.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3MotivNeujahr5784.jpg?v=1715777563"},{"product_id":"kofflers-schicksal-die-goldberg-variationen","title":"KOFFLER'S FATE: THE GOLDBERG VARIATIONS","description":"\u003ch6\u003e\n\n \u003cstrong\u003eJÓZEF KOFFLER\u003c\/strong\u003e (1896-1944)\u003c\/h6\u003e\n\n\u003cp\u003e String Trio op. 10 (1928)\u003cbr\u003e Arrangement for chamber orchestra by Nicholas Hersh\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eJOHANN SEBASTIAN BACH\u003c\/strong\u003e (1685-1750)\u003cbr\u003e Goldberg Variations BWV 988\u003cbr\u003e Arrangement for chamber orchestra by Józef Koffler\u003c\/p\u003e\n\n\u003ch6\u003e Jelena Kuljić, actress\u003c\/h6\u003e\n\n\u003cp\u003e Daniel Grossmann, conductor\u003cbr\u003e Stella Leder, Text \u003cbr\u003eMartin Valdés-Stauber, dramaturgy \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch6\u003e \u003cstrong\u003eJEWISH\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e The fate of the Polish composer Józef Koffler (1896-1944) is exemplary for many Jewish artists of his generation: Koffler's promising career was abruptly interrupted by the rise of National Socialism, and his name and his important musical work are completely forgotten today. \u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eTODAY\u003c\/strong\u003e\u003cbr\u003e The German-Jewish dramatist Stella Leder has written a text for this project that weaves Koffler's life and his most important works into contemporary memory work. The combination of history and music - Koffler's orchestration of the Goldberg Variations and his String Trio op.10 - creates a portrait that is both personal and exemplary of the fate of many.\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eFOR\u003c\/strong\u003e \u003cstrong\u003eALL\u003c\/strong\u003e\u003cbr\u003e The Kofflers Schicksal project deals with social issues that concern us all: the personal and social handling of remembering and forgetting. The German culture of remembrance is questioned in text and music, and the concert has an impact beyond the concert hall.\u003cbr\u003e \u003cbr\u003e\u003cem\u003e'Koffler's Fate' is part of the Munich Kammerspiele's project ' \u003ca href=\"https:\/\/www.muenchner-kammerspiele.de\/de\/mk-forscht\/1194-erinnerung-als-arbeit-an-der-gegenwart\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eMemory as Work on the Present\u003c\/a\u003e '. It is funded by the Federal Government Commissioner for Culture and the Media as part of the ' \u003ca href=\"https:\/\/www.bundesregierung.de\/breg-de\/bundesregierung\/bundeskanzleramt\/staatsministerin-fuer-kultur-und-medien\/orchesterprogramm-416678\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eExcellent Orchestra Landscape in Germany\u003c\/a\u003e ' funding program and will tour Germany in 2023 and 2024. Performances for schoolchildren and students are an important part of the project.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eA piece developed in collaboration between Stella Leder (text), Martin Valdés-Stauber (dramaturgy) and Daniel Grossmann.\u003c\/span\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/BKM_2017_Web2x_de_5306e832-cd33-41ac-bf15-ba14b327a4d7.gif?v=1713795812\" width=\"259\" height=\"85\"\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43205260116025,"sku":null,"price":240615.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3Koffler_4a46cac1-d1db-4743-85eb-a5e3b9fb244a.jpg?v=1715777844"},{"product_id":"deggendorf-kofflers-schicksal","title":"DEGGENDORF: KOFFLER'S FATE","description":"\u003ch6\u003e\n\n \u003cstrong\u003eJÓZEF KOFFLER\u003c\/strong\u003e (1896-1944)\u003c\/h6\u003e\n\n\u003cp\u003e String Trio op. 10 (1928)  \u003cbr\u003eArrangement for chamber orchestra by Nicholas Hersh\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eJOHANN SEBASTIAN BACH\u003c\/strong\u003e (1685-1750)\u003cbr\u003e Goldberg Variations BWV 988\u003cbr\u003e Arrangement for chamber orchestra by Józef Koffler\u003c\/p\u003e\n\n\u003ch6\u003e Jelena Kuljić, actress\u003c\/h6\u003e\n\n\u003cp\u003e Daniel Grossmann, conductor\u003cbr\u003e Stella Leder, Text\u003cbr\u003e Martin Valdés-Stauber, dramaturgy \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch6\u003e \u003cstrong\u003eJEWISH\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e The fate of the Polish composer Józef Koffler (1896-1944) is exemplary for many Jewish artists of his generation: Koffler's promising career was abruptly interrupted by the rise of National Socialism, and his name and his important musical work are completely forgotten today. \u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eTODAY\u003c\/strong\u003e \u003cbr\u003eThe German-Jewish dramatist Stella Leder has written a text for this project that weaves Koffler's life and his most important works into contemporary memory work. The combination of history and music - Koffler's orchestration of the Goldberg Variations and his String Trio op.10 - creates a portrait that is both personal and exemplary of the fate of many.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eFOR\u003c\/strong\u003e \u003cstrong\u003eALL\u003c\/strong\u003e\u003cbr\u003e The Kofflers Schicksal project deals with social issues that concern us all: the personal and social handling of remembering and forgetting. The German culture of remembrance is questioned in text and music, and the concert has an impact beyond the concert hall.\u003cbr\u003e \u003cbr\u003e\u003cem\u003e'Koffler's Fate' is part of the Munich Kammerspiele's project ' \u003ca href=\"https:\/\/www.muenchner-kammerspiele.de\/de\/mk-forscht\/1194-erinnerung-als-arbeit-an-der-gegenwart\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eMemory as Work on the Present\u003c\/a\u003e '. It is funded by the Federal Government Commissioner for Culture and the Media as part of the ' \u003ca href=\"https:\/\/www.bundesregierung.de\/breg-de\/bundesregierung\/bundeskanzleramt\/staatsministerin-fuer-kultur-und-medien\/orchesterprogramm-416678\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eExcellent Orchestra Landscape in Germany\u003c\/a\u003e ' funding program and will tour Germany in 2023 and 2024. Performances for schoolchildren and students are an important part of the project.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eA piece developed in collaboration between Stella Leder (text), Martin Valdés-Stauber (dramaturgy) and Daniel Grossmann.\u003c\/span\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/BKM_2017_Web2x_de_5306e832-cd33-41ac-bf15-ba14b327a4d7.gif?v=1713795812\" width=\"259\" height=\"85\"\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43205269028921,"sku":null,"price":240614.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/JCOM_Koffler_Szenen-110_ThomasDashuber_84899311-0b97-4278-a647-d0a27cd0fec1.jpg?v=1715778095"},{"product_id":"stuttgart-kofflers-schicksal","title":"STUTTGART: KOFFLER'S FATE","description":"\u003ch6\u003e\n\n \u003cstrong\u003eJÓZEF KOFFLER\u003c\/strong\u003e (1896-1944)\u003c\/h6\u003e\n\n\u003cp\u003e String Trio op. 10 (1928)  \u003cbr\u003eArrangement for chamber orchestra by Nicholas Hersh\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eJOHANN SEBASTIAN BACH\u003c\/strong\u003e (1685-1750)\u003cbr\u003e Goldberg Variations BWV 988\u003cbr\u003e Arrangement for chamber orchestra by Józef Koffler\u003c\/p\u003e\n\n\u003ch6\u003e Jelena Kuljić, actress\u003c\/h6\u003e\n\n\u003cp\u003e Daniel Grossmann, conductor\u003cbr\u003e Stella Leder, Text\u003cbr\u003e Martin Valdés-Stauber, dramaturgy \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch6\u003e \u003cstrong\u003eJEWISH\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e The fate of the Polish composer Józef Koffler (1896-1944) is exemplary for many Jewish artists of his generation: Koffler's promising career was abruptly interrupted by the rise of National Socialism, and his name and his important musical work are completely forgotten today. \u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eTODAY\u003c\/strong\u003e \u003cbr\u003eThe German-Jewish dramatist Stella Leder has written a text for this project that weaves Koffler's life and his most important works into contemporary memory work. The combination of history and music - Koffler's orchestration of the Goldberg Variations and his String Trio op.10 - creates a portrait that is both personal and exemplary of the fate of many.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eFOR\u003c\/strong\u003e \u003cstrong\u003eALL\u003c\/strong\u003e\u003cbr\u003e The Kofflers Schicksal project deals with social issues that concern us all: the personal and social handling of remembering and forgetting. The German culture of remembrance is questioned in text and music, and the concert has an impact beyond the concert hall.\u003cbr\u003e \u003cbr\u003e\u003cem\u003e'Koffler's Fate' is part of the Munich Kammerspiele's project ' \u003ca href=\"https:\/\/www.muenchner-kammerspiele.de\/de\/mk-forscht\/1194-erinnerung-als-arbeit-an-der-gegenwart\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eMemory as Work on the Present\u003c\/a\u003e '. It is funded by the Federal Government Commissioner for Culture and the Media as part of the ' \u003ca href=\"https:\/\/www.bundesregierung.de\/breg-de\/bundesregierung\/bundeskanzleramt\/staatsministerin-fuer-kultur-und-medien\/orchesterprogramm-416678\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eExcellent Orchestra Landscape in Germany\u003c\/a\u003e ' funding program and will tour Germany in 2023 and 2024. Performances for schoolchildren and students are an important part of the project.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eA piece developed in collaboration between Stella Leder (text), Martin Valdés-Stauber (dramaturgy) and Daniel Grossmann.\u003c\/span\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/BKM_2017_Web2x_de_5306e832-cd33-41ac-bf15-ba14b327a4d7.gif?v=1713795812\" width=\"259\" height=\"85\"\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43205276106809,"sku":null,"price":240615.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3Jelena.jpg?v=1715778389"},{"product_id":"augsburg-klezmer-re-constructed","title":"JEWISH CULTURE WEEK AUGSBURG: KLEZMER RE-CONSTRUCTED","description":"\u003ch6\u003e\n\n \u003cstrong\u003eMORITZ GAGERN\u003c\/strong\u003e (*1973) \u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/h6\u003e\n\n\u003cp\u003e\u003cspan\u003eNigunim for orchestra\u003c\/span\u003e \u003cspan\u003e(2017)\u003cbr\u003e \u003cem\u003eCommissioned composition by JCOM\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cdiv title=\"Pages 10\" class=\"page\"\u003e\n\n\u003cdiv class=\"section\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cstrong\u003eCHRISTOPH BRECH\u003c\/strong\u003e (*1967)\u003cbr\u003e Video film about\u003c\/span\u003e \u003cspan\u003e\u003cem\u003eNigunim\u003c\/em\u003e\u003c\/span\u003e \u003cspan\u003e(2023)\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ch6\u003e Daniel Grossmann, conductor\u003c\/h6\u003e\n\n\u003ch6\u003e \u003cstrong\u003e\u003cbr\u003eJEWISH\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e \u003cspan\u003eFor many, 'Klezmer' is the epitome of Jewish music. Come with us to the roots of this musical tradition, which originated in the Eastern European shtetl and almost died out when it collapsed. Klezmer became known worldwide in an Americanized version; in our concert you can experience the much rougher sound of the original!\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eTODAY\u003cbr\u003e\u003c\/strong\u003e \u003cspan\u003eIn 2017, Berlin composer Moritz Gagern wrote a work for the JCOM that combines traditional Klezmer sounds with new music. The combination creates a new, contemporary listening experience, which the video artist Christoph Brech artfully complements with a film.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eFOR ALL\u003c\/strong\u003e \u003cbr\u003e\u003cspan\u003eWe take everyone to the Jewish wedding: see the silhouette bride and groom with the rabbi and wild wedding dances with the entire shtetl! We can also look behind the scenes: how is a puppet theater created? Sound and image complement each other in an exciting combination.\u003c\/span\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43205288919097,"sku":null,"price":240428.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3SynagogeAugsburg.jpg?v=1715779489"},{"product_id":"judische-kulturwochen-frankfurt-klezmer-re-constructed","title":"JEWISH CULTURE WEEKS FRANKFURT: KLEZMER RE-CONSTRUCTED","description":"\u003ch6\u003e\n\n \u003cstrong\u003eMORITZ GAGERN\u003c\/strong\u003e (*1973)\u003cbr\u003e \u003cspan\u003eNigunim for orchestra\u003c\/span\u003e \u003cspan\u003e(2017)\u003cbr\u003e \u003cem\u003eCommissioned composition by JCOM\u003c\/em\u003e\u003c\/span\u003e \u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/h6\u003e\n\n\u003cdiv title=\"Pages 10\" class=\"page\"\u003e\n\n\u003cdiv class=\"section\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cstrong\u003eCHRISTOPH BRECH\u003c\/strong\u003e (*1967)\u003cbr\u003e Video film about\u003c\/span\u003e \u003cspan\u003e\u003cem\u003eNigunim\u003c\/em\u003e\u003c\/span\u003e \u003cspan\u003e(2023)\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ch6\u003e Daniel Grossmann, conductor\u003c\/h6\u003e\n\n\u003ch6\u003e \u003cstrong\u003e\u003cbr\u003eJEWISH\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n \u003cp\u003e\u003cspan\u003eFor many, 'Klezmer' is the epitome of Jewish music. Come with us to the roots of this musical tradition, which originated in the Eastern European shtetl and almost died out when it collapsed. Klezmer became known worldwide in an Americanized version; in our concert you can experience the much rougher sound of the original!\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eTODAY\u003cbr\u003e\u003c\/strong\u003e \u003cspan\u003eIn 2017, Berlin composer Moritz Gagern wrote a work for the JCOM that combines traditional Klezmer sounds with new music. The combination creates a new, contemporary listening experience, which the video artist Christoph Brech artfully complements with a film.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eFOR ALL\u003cbr\u003e\u003c\/strong\u003e \u003cspan\u003eWe take everyone to the Jewish wedding: see the silhouette bride and groom with the rabbi and wild wedding dances with the entire shtetl! We can also look behind the scenes: how is a puppet theater created? Sound and image complement each other in an exciting combination.\u003c\/span\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43205332041785,"sku":null,"price":240428.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3Nigunimsw1.jpg?v=1715780006"},{"product_id":"enescu-festival-bukarest-geschwister-mendelssohn","title":"ENESCU FESTIVAL BUCHAREST: THE MENDELSSOHN SIBLINGS","description":"\u003ch6\u003e\n\n \u003cstrong\u003eFANNY HENSEL née MENDELSSOHN\u003c\/strong\u003e (1805–1847)\u003c\/h6\u003e\n\n\u003cp\u003e Songs from op. 1, 8 and 9 (ca. 1822–1830)\u003cbr\u003e \u003cem\u003earranged for chamber orchestra by Tal-Haim Samnon\u003c\/em\u003e\u003cbr\u003e Hero and Leander – Dramatic Scene (1832)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eFELIX MENDELSSOHN\u003c\/strong\u003e (1809–1847)\u003cbr\u003e Concerto for Violin and Orchestra in D minor, Op. 3 (1822)\u003cbr\u003e The Hebrides – Concert Overture op. 26 (1832, Rome version)\u003cbr\u003e Infelice op. 94 – Concert Aria (1843\/51)\u003c\/p\u003e\n\n\u003ch6\u003e Chen Reiss, soprano\u003c\/h6\u003e\n\n\u003cp\u003e Tassilo Probst, violin\u003cbr\u003e Daniel Grossmann, conductor\u003c\/p\u003e\n\n\u003ch6\u003e The JCOM is a guest at the \u003ca href=\"https:\/\/www.festivalenescu.ro\/events\/jewish-chamber-orchestra-munich\/\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eEnescu Festival\u003c\/a\u003e in Bucharest: together with the Israeli soprano Chen Reiss and the young violinist Tassilo Probst, winner of the George Enescu International Competition 2020\/2021, we present a concert program with works by the congenial siblings Felix and Fanny Mendelssohn.\u003c\/h6\u003e\n\n \u003cp\u003eAs a woman of her time, Fanny did not have the same opportunities as Felix, who was greatly supported by his father. Although Fanny's work was highly valued, her father and brother even prevented her works from being published! Although her husband, the painter Wilhelm Hensel, supported his wife's artistic activities, Fanny was never able to match her brother's success.\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43205452562489,"sku":null,"price":240410.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3Athaeneum.jpg?v=1715783973"},{"product_id":"im-umbruch-2-der-weg-zur-abstraktion","title":"IN CHANGE #2: THE PATH TO ABSTRACTION","description":"\u003ch6\u003e\n\n\u003cmeta charset=\"UTF-8\"\u003e \u003cstrong\u003eARNOLD SCHÖNBERG\u003c\/strong\u003e (1874-1951)\u003c\/h6\u003e\n\n\u003cp\u003e \u003cspan\u003ePierrot lunaire op. 21 (1913)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch6\u003e \u003cspan\u003eTalia Or, soprano\u003c\/span\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e \u003cspan\u003eDaniel Grossmann, conductor\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch6\u003e from 7 pm MUSEUM OPENING for concert visitors\u003c\/h6\u003e\n\n\u003cp\u003e 8 p.m. ART TALK with conductor Daniel Grossmann and Margot Th. Brandlhuber, collection manager of the Villa Stuck Museum\u003cbr\u003e followed by a reception and discussions with the artists of the evening\u003c\/p\u003e\n\n\u003ch6\u003e \n\u003cem\u003eIm Umbruch\u003c\/em\u003e is a series of talks and concerts in cooperation with the Museum Villa Stuck about the similar upheavals in music and art at the beginning of the 20th century. Through conversation, art viewing and concerts, parallels and interferences between music and the visual arts become visible and audible. The second edition of \u003cem\u003eIm Umbruch\u003c\/em\u003e focuses on the artistic paradigm shift that led to increasingly abstract forms of representation: bouquets of flowers become ornamental tendrils, melodies become systematic sequences of notes.\u003cbr\u003e\u003cbr\u003e\n\n\u003c\/h6\u003e\n\n \u003cp\u003eThe beginnings of this abstraction were manifested very early in Munich with the main protagonists Hermann Obrist and August Endell, and preceded the developments in music. This epochal change can be seen in Arnold Schoenberg's work like in hardly any other complete work. Schoenberg's early pieces follow a late romantic style, from 1908 he composed atonal music and in 1921 he developed the \u003cem\u003emethod of composing with twelve tones that only relate to one another.\u003c\/em\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43214759198777,"sku":null,"price":240428.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3SChoenberg.jpg?v=1715938956"},{"product_id":"ein-sommernachtstraum","title":"A MIDSUMMER NIGHT'S DREAM","description":"\u003ch6\u003e\n\n \u003cstrong\u003eFELIX MENDELSSOHN\u003c\/strong\u003e (1809–1847)\u003c\/h6\u003e\n\n\u003cp\u003e Incidental music \u003cem\u003eA Midsummer Night's Dream\u003c\/em\u003e op. 61 (1842)\u003cbr\u003e Arranged for chamber orchestra by Andreas N. Tarkmann\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eMANFRED TROJAHN\u003c\/strong\u003e (*1949)\u003cbr\u003e Four Women from Shakespeare (2015) for soprano and ensemble\u003c\/p\u003e\n\n\u003ch6\u003e Pia Davila, soprano\u003c\/h6\u003e\n\n\u003cp\u003e Daniel Grossmann, conductor\u003c\/p\u003e\n\n \u003ch6\u003eAt the age of 17, Felix Mendelssohn read Shakespeare's \u003cem\u003eA Midsummer Night's Dream\u003c\/em\u003e - and was impressed by this work. He then wrote a concert overture to A \u003cem\u003eMidsummer Night's Dream,\u003c\/em\u003e which was premiered at one of the Mendelssohn family's regular house concerts. The first public performance took place in 1827.\u003c\/h6\u003e\n\n\u003cp\u003e It was not until 15 years later - Felix Mendelssohn was now successful as a conductor and composer and was appointed Prussian General Music Director by the King in the same year - that he supplemented the overture with intermezzo music and melodramas, marches, songs and choruses for incidental music at the request of Friedrich Wilhelm IV. The first performance took place in Berlin in 1843 under the direction of the writer Ludwig Tieck; the work remains one of Felix Mendelssohn's most frequently performed compositions to this day.\u003c\/p\u003e\n\n \u003cp\u003eTitania from A \u003cem\u003eMidsummer Night's Dream\u003c\/em\u003e is one of the Shakespearean female characters portrayed by Manfred Trojahn in his \u003cem\u003eFour Women from Shakespeare\u003c\/em\u003e . In his work for soprano (Pia Dabila) and orchestra, he also dedicates a movement each to Juliet ( \u003cem\u003eRomeo and Juliet\u003c\/em\u003e ), Ophelia ( \u003cem\u003eHamlet\u003c\/em\u003e ) and Lady Macbeth ( \u003cem\u003eMacbeth\u003c\/em\u003e ).\u003c\/p\u003e\n\n\u003cp\u003e A summer concert by JCOM awaits you in the wonderful ambience of the Cuvilliés Theater in Munich!\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43214795800633,"sku":null,"price":240428.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3Sommernachtstraum.jpg?v=1715940485"},{"product_id":"konzerttournee-schweiz-i-zurich","title":"CONCERT TOUR SWITZERLAND I: ZURICH","description":"\u003ch6\u003e \u003cstrong\u003eFELIX MENDELSSOHN (1809–1847)\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e Excerpts from the incidental music \u003cem\u003eA Midsummer Night's Dream\u003c\/em\u003e op. 61 (1842)\u003cbr\u003e Arrangement for chamber orchestra by Andreas N. Tarkmann\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eGEORGE GERSHWIN (1898-1937)\u003c\/strong\u003e\u003cbr\u003e Summertime (1935)\u003cbr\u003e Arrangement for chamber orchestra by Josef Piras\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eGEORGE DAVID WEISS (1921-2010)\u003c\/strong\u003e\u003cbr\u003e What a Wonderful World (1967)\u003cbr\u003e Arrangement for chamber orchestra by Josef Piras\u003c\/p\u003e\n\n\u003ch6\u003e Chaim Stern, Cantor\u003c\/h6\u003e\n\n\u003cp\u003e Daniel Grossmann, conductor\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43214813691961,"sku":null,"price":240428.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3Zuerich.jpg?v=1715941652"},{"product_id":"konzerttournee-schweiz-ii-genf","title":"CONCERT TOUR SWITZERLAND II: GENEVA","description":"\u003ch6\u003e\u003cstrong\u003eFELIX MENDELSSOHN (1809–1847)\u003c\/strong\u003e\u003c\/h6\u003e\n\n\u003cp\u003e Excerpts from the incidental music \u003cem\u003eA Midsummer Night's Dream\u003c\/em\u003e op. 61 (1842)\u003cbr\u003e Arrangement for chamber orchestra by Andreas N. Tarkmann\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eGEORGE GERSHWIN (1898-1937)\u003c\/strong\u003e\u003cbr\u003e Summertime (1935)\u003cbr\u003e Arrangement for chamber orchestra by Josef Piras\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eGEORGE DAVID WEISS (1921-2010)\u003c\/strong\u003e\u003cbr\u003e What a Wonderful World (1967)\u003cbr\u003e Arrangement for chamber orchestra by Josef Piras\u003c\/p\u003e\n\n\u003ch6\u003e Chaim Stern, Cantor\u003c\/h6\u003e\n\n\u003cp\u003e Daniel Grossmann, conductor\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43214835286073,"sku":null,"price":240428.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3Genf_480ccdf4-656c-4309-8fd2-f444fc216f06.jpg?v=1715941909"},{"product_id":"furth-fanny-hensel-und-felix-mendelssohn","title":"FUERTH: FANNY HENSEL AND FELIX MENDELSSOHN","description":"\u003ch6\u003e\n\n \u003cstrong\u003eFANNY HENSEL née MENDELSSOHN\u003c\/strong\u003e (1805–1847)\u003c\/h6\u003e\n\n\u003cp\u003e Songs from op. 1, 8 and 9 (ca. 1822–1830)\u003cbr\u003e \u003cem\u003earranged for chamber orchestra by Tal-Haim Samnon\u003c\/em\u003e\u003cbr\u003e Hero and Leander – Dramatic Scene (1832)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eFELIX MENDELSSOHN\u003c\/strong\u003e (1809–1847)\u003cbr\u003e Concerto for Violin and Orchestra in D minor, Op. 3 (1822)\u003cbr\u003e The Hebrides – Concert Overture op. 26 (1832, Rome version)\u003cbr\u003e Infelice op. 94 – Concert Aria (1843\/51)\u003c\/p\u003e\n\n\u003ch6\u003e Chen Reiss, soprano\u003c\/h6\u003e\n\n\u003cp\u003e Tassilo Probst, violin\u003cbr\u003e Daniel Grossmann, conductor\u003c\/p\u003e\n\n \u003ch6\u003eThe congenial siblings Felix and Fanny Mendelssohn took very different paths, in keeping with their times. While for Fanny, musical talent could be \"only an ornament, never the foundation of your being and doing,\" according to her father, her father, himself the son of the famous Jewish enlightenment philosopher Moses Mendelssohn, paved the way for Felix to pursue a career as a musician. Although Fanny's work was highly valued, her father and brother prevented her from publishing her works - she was supposed to conform to the ideal image of a housewife of her time, which in the intellectual environment in which the family moved meant that women were to be highly educated but only pursue their interests in private. Although her husband, the painter Wilhelm Hensel, supported his wife's artistic activities, Fanny was never able to match her brother's success.\u003cbr\u003e\u003cbr\u003e\n\n\u003c\/h6\u003e\n\n \u003cp\u003eIn recent years, many of Fanny Hensel's works have been rediscovered, edited and published (often for the first time). Together with the Israeli soprano Chen Reiss, the JCOM presents examples of her vocal music, combined with works by Felix Mendelssohn, on CD and in concert.\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43214874804281,"sku":null,"price":240410.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/4zu3Hensel.jpg?v=1715943946"},{"product_id":"linz-das-alte-gesetz","title":"LINZ: THE OLD LAW ","description":"\u003cdiv class=\"page\" title=\"Pages 14\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003ch6\u003e\n\n \u003cspan\u003eEWALD ANDRE DUPONT\u003cbr\u003e\u003c\/span\u003e \u003cspan\u003eThe Old Law\u003c\/span\u003e \u003cspan\u003e(DE, 1923)\u003c\/span\u003e\n\n\u003c\/h6\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cbr\u003ePHILIPPE SCHOELLER Music\u003cbr\u003e\u003c\/span\u003e \u003cem\u003eNew composition commissioned by ARTE\/ZDF for the digitally restored version of the Stiftung Deutsche Kinemathek 2018\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch6\u003e Daniel Grossmann, conductor\u003c\/h6\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n \u003ch6\u003eIn the middle of the 19th century, the rabbi's son Baruch decides, against his father's wishes, to leave his Galician shtetl to become an actor. At first he joins a traveling theater, where the Austrian Archduchess Elisabeth Theresia takes a liking to him and uses her influence to get him a job at the Vienna Burgtheater. Baruch manages to become a celebrated and successful star. But his father, Rabbi Mayer, is horrified by this life and disowns his son. When he later attends a performance of Don Carlos with his son after his mother skilfully mediates, he is deeply impressed by his acting talent. He recognizes this as a grace from God and forgives him after a discussion. Baruch returns home where his childhood sweetheart Esther has been waiting for him.\u003cbr\u003e\n\n\u003c\/h6\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eIn collaboration with Arte, the Jewish Chamber Orchestra Munich premiered the reconstructed version of this silent film classic at the 2018 Berlinale with a newly composed film score by Philippe Schoeller. Since then, the orchestra has performed in Budapest, Warsaw, Vilnius, Vienna, Frankfurt, Aschaffenburg and, of course, Munich.\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43214906032185,"sku":null,"price":240410.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3DAGBiennale3.jpg?v=1715945079"},{"product_id":"konzerthaus-wien-das-alte-gesetz","title":"VIENNA CONCERT HALL: THE OLD LAW ","description":"\u003cdiv class=\"page\" title=\"Pages 14\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003ch6\u003e\n\n \u003cspan\u003eEWALD ANDRE DUPONT\u003cbr\u003e\u003c\/span\u003e \u003cspan\u003eThe Old Law\u003c\/span\u003e \u003cspan\u003e(DE, 1923)\u003c\/span\u003e\n\n\u003c\/h6\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cbr\u003ePHILIPPE SCHOELLER Music\u003cbr\u003e\u003c\/span\u003e \u003cem\u003eNew composition commissioned by ARTE\/ZDF for the digitally restored version of the Stiftung Deutsche Kinemathek 2018\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch6\u003e Daniel Grossmann, conductor\u003c\/h6\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n \u003ch6\u003eIn the middle of the 19th century, the rabbi's son Baruch decides, against his father's wishes, to leave his Galician shtetl to become an actor. At first he joins a traveling theater, where the Austrian Archduchess Elisabeth Theresia takes a liking to him and uses her influence to get him a job at the Vienna Burgtheater. Baruch manages to become a celebrated and successful star. But his father, Rabbi Mayer, is horrified by this life and disowns his son. When he later attends a performance of Don Carlos with his son after his mother skilfully mediates, he is deeply impressed by his acting talent. He recognizes this as a grace from God and forgives him after a discussion. Baruch returns home where his childhood sweetheart Esther has been waiting for him.\u003cbr\u003e\n\n\u003c\/h6\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eIn collaboration with Arte, the Jewish Chamber Orchestra Munich premiered the reconstructed version of this silent film classic at the 2018 Berlinale with a newly composed film score by Philippe Schoeller. Since then, the orchestra has performed in Budapest, Warsaw, Vilnius, Vienna, Frankfurt, Aschaffenburg and, of course, Munich.\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43214937653305,"sku":null,"price":240410.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3DAGBiennale.jpg?v=1715945094"},{"product_id":"deggendorf-das-alte-gesetz","title":"DEGGENDORF: THE OLD LAW ","description":"\u003cdiv class=\"page\" title=\"Pages 14\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003ch6\u003e\n\n \u003cspan\u003eEWALD ANDRE DUPONT\u003cbr\u003e\u003c\/span\u003e \u003cspan\u003eThe Old Law\u003c\/span\u003e \u003cspan\u003e(DE, 1923)\u003c\/span\u003e\n\n\u003c\/h6\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cbr\u003ePHILIPPE SCHOELLER Music\u003cbr\u003e\u003c\/span\u003e \u003cem\u003eNew composition commissioned by ARTE\/ZDF for the digitally restored version of the Stiftung Deutsche Kinemathek 2018\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch6\u003e Daniel Grossmann, conductor\u003c\/h6\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n \u003ch6\u003eIn the middle of the 19th century, the rabbi's son Baruch decides, against his father's wishes, to leave his Galician shtetl to become an actor. At first he joins a traveling theater, where the Austrian Archduchess Elisabeth Theresia takes a liking to him and uses her influence to get him a job at the Vienna Burgtheater. Baruch manages to become a celebrated and successful star. But his father, Rabbi Mayer, is horrified by this life and disowns his son. When he later attends a performance of Don Carlos with his son after his mother skilfully mediates, he is deeply impressed by his acting talent. He recognizes this as a grace from God and forgives him after a discussion. Baruch returns home where his childhood sweetheart Esther has been waiting for him.\u003cbr\u003e\n\n\u003c\/h6\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eIn collaboration with Arte, the Jewish Chamber Orchestra Munich premiered the reconstructed version of this silent film classic at the 2018 Berlinale with a newly composed film score by Philippe Schoeller. Since then, the orchestra has performed in Budapest, Warsaw, Vilnius, Vienna, Frankfurt, Aschaffenburg and, of course, Munich.\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43214948204601,"sku":null,"price":240410.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/DasAlteGesetz_R3_retouched-CC_017.0261524_44c16402-265b-44cf-a7ca-ea36a633720c.jpg?v=1715945517"},{"product_id":"klezmer-re-constructed","title":"KLEZMER RE-CONSTRUCTED","description":"\u003ch6\u003e\n\n \u003cstrong\u003eMORITZ GAGERN\u003c\/strong\u003e (*1973)\u003cbr\u003e \u003cspan\u003eNigunim for orchestra\u003c\/span\u003e \u003cspan\u003e(2017)\u003cbr\u003e \u003cem\u003eCommissioned composition by JCOM\u003c\/em\u003e\u003c\/span\u003e \u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/h6\u003e\n\n\u003cdiv class=\"page\" title=\"Pages 10\"\u003e\n\n\u003cdiv class=\"section\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cstrong\u003eCHRISTOPH BRECH\u003c\/strong\u003e (*1967)\u003cbr\u003e Video film about\u003c\/span\u003e \u003cspan\u003e\u003cem\u003eNigunim\u003c\/em\u003e\u003c\/span\u003e \u003cspan\u003e(2023)\u003cbr\u003e\u003c\/span\u003e \u003cem\u003epremiere\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ch6\u003e Daniel Grossmann, conductor\u003c\/h6\u003e\n\n\u003ch6\u003e In 2017, Berlin-based composer Moritz Gagern wrote the full-length work \u003cem\u003eNigunim\u003c\/em\u003e , a fully composed Jewish wedding, for the JCOM, incorporating melodies that go back to the origins of Klezmer in the Jewish shtetl of Eastern Europe.\u003c\/h6\u003e\n\n\u003cp\u003e \u003cbr\u003eOn behalf of the Goetz Collection, the video artist Christoph Brech, in collaboration with the Munich Marionette Theater, created a new film that, on the one hand, goes back to various traditions from the silent film era, but on the other hand also makes the production process visible: a Jewish wedding in shadow play scenes is mixed with recordings of musicians from unexpected perspectives, the production of the rod puppet figures from the sketch to the painting is shown, as are the puppeteers who operate hidden beneath the recording screen.\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003eA certain kind of soulfulness and lightness connects the various pieces that have been handed down to us as wedding music of the Eastern European Jews. If, as a composer, you want to engage with this music, not just to depict its broad spectrum, but to create something new from it from today's perspective, it makes sense to examine the playing style of influential instrumentalists. My investigation therefore began with an archaeological experience. I listened to various noisy recordings from the early days of sound recording again and again, sometimes in extreme slow motion, to find out what was actually happening. Some things happen that, according to orthodox understanding of music, should not happen at all. Physical boundaries are shifted. The characteristic playing techniques are instrumental approximations of the human voice.\u003c\/em\u003e (Composer Moritz Gagern on \u003cem\u003eNigunim\u003c\/em\u003e )\u003c\/p\u003e\n\n \u003cp class=\"has-text-align-left\"\u003eThe premiere of the cooperation project between the Jewish Chamber Orchestra Munich and Christoph Brech will take place as part of the exhibition \u003cem\u003e(Not) a Doll's House. Old role plays and new images of man\u003c\/em\u003e (April 22, 2023 - January 7, 2024 in the Munich City Museum).\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43214950367289,"sku":null,"price":240428.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Bild4zu3Klezmorim.jpg?v=1715945802"},{"product_id":"paul-celan-ein-konzert","title":"PAUL CELAN - A CONCERT ","description":"\u003cdiv title=\"Pages 3\" class=\"page\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003ch6\u003e\n\n \u003cstrong\u003eJOHANNES X. SCHACHTNER\u003c\/strong\u003e (*1985)\u003c\/h6\u003e\n\n\u003cp\u003e Rudiments (2023)\u003cbr\u003e Five movements for chamber ensemble based on the poem cycle of the same name by André du Bouchet in the translation by Paul Celan\u003cbr\u003e \u003cem\u003ePremiere of the commissioned work\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eARNOLD SCHÖNBERG\u003c\/strong\u003e (1874-1951)\u003cbr\u003e 3 Pieces op. 11 (1909)\u003cbr\u003e arranged for chamber orchestra by Richard Dünser\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eSARAH NEMTSOV\u003c\/strong\u003e (*1980)\u003cbr\u003e Herzland (chamber opera) (2005\/2009)\u003c\/p\u003e\n\n\u003ch6\u003e Christina Daletska, mezzo-soprano\u003c\/h6\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e \u003cspan\u003ePeter Schöne, baritone\u003cbr\u003e\u003c\/span\u003e Daniel Grossmann, conductor\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n \u003ch6\u003ePaul Celan's work, especially his poetry influenced by the experience of the Holocaust, is world-famous. The JCOM is focusing on this Jewish artist in a concert and presenting his work in various musical settings.\u003cbr\u003e\u003cbr\u003e\n\n\u003c\/h6\u003e\n\n\u003cp\u003e The works of the composer \u003ca href=\"https:\/\/www.sarah-nemtsov.de\/\"\u003eSarah Nemtsov\u003c\/a\u003e are known for their strong references to non-musical content. She often deals with political and social issues, and her compositions are often based on literary texts. In 2009, the JCOM (then still the Jakobsplatz Orchestra) performed the premiere of the chamber orchestra version of her opera \u003cem\u003eHerzland,\u003c\/em\u003e based on the correspondence between Paul Celan and Gisèle Celan-Lestrange. A new concert performance is now following.\u003c\/p\u003e\n\n \u003cp\u003eFor the Celan evening in the Munich Kammerspiele, the Munich composer \u003ca href=\"https:\/\/www.johannesxschachtner.com\/\"\u003eJohannes X. Schachtner\u003c\/a\u003e is writing a new work for chamber ensemble for the JCOM: under the title \u003cem\u003eRudimente,\u003c\/em\u003e he is setting to music the cycle of poems of the same name by André du Bouchet, translated by Paul Celan.\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43214966095929,"sku":null,"price":240428.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/4zu3Celankoloriert.jpg?v=1715947071"},{"product_id":"die-geschichte-von-konigin-esther","title":"THE STORY OF QUEEN ESTHER - for school classes ","description":"\u003cdiv class=\"page\" title=\"Pages 3\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003ch6\u003e Daniel Grossmann, conductor\u003c\/h6\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ch6\u003e The Jewish festival of Purim, which begins on the evening of March 6th in 2023, dates back to Queen Esther, who lived as a Jewish orphan in the Persian diaspora in the 5th century BC. When Haman, the highest government official of the Persian king, tried to have the entire Jewish population murdered, Esther courageously went to the king herself and thus prevented genocide. This rescue is still celebrated on Purim today.\u003cbr\u003e\u003cbr\u003e\n\n\u003c\/h6\u003e\n\n\u003cp\u003e Together with the narrator Markus Nau, the JCOM brings the Old Testament story to life. Music from Antonio Vivaldi's 'Four Seasons' is played.\u003c\/p\u003e\n\n \u003cp\u003eFOR PRIMARY SCHOOL CLASSES\u003cbr\u003e AGE RECOMMENDATION: 3rd\/4th grade\u003cbr\u003e DURATION: approx. 60′\u003cbr\u003e COSTS: € 200,- per school class, smaller groups by arrangement\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e BOOKING AND MORE INFORMATION:\u003cbr\u003e via the JCOM orchestra office, Tel. 089-12289599 \/ info@jcom.de\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43214979072057,"sku":null,"price":240428.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/4zu3koeniginesther.jpg?v=1762176132"},{"product_id":"die-geschichte-von-konigin-esther-fur-schulklassen","title":"THE STORY OF QUEEN ESTHER - for school classes ","description":"\u003cdiv class=\"page\" title=\"Pages 3\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003ch6\u003e Daniel Grossmann, conductor\u003c\/h6\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ch6\u003e The Jewish festival of Purim, which begins on the evening of March 6th in 2023, dates back to Queen Esther, who lived as a Jewish orphan in the Persian diaspora in the 5th century BC. When Haman, the highest government official of the Persian king, tried to have the entire Jewish population murdered, Esther courageously went to the king herself and thus prevented genocide. This rescue is still celebrated on Purim today.\u003cbr\u003e\u003cbr\u003e\n\n\u003c\/h6\u003e\n\n\u003cp\u003e Together with the narrator Markus Nau, the JCOM brings the Old Testament story to life. Music from Antonio Vivaldi's 'Four Seasons' is played.\u003c\/p\u003e\n\n\u003cp\u003e FOR PRIMARY SCHOOL CLASSES\u003cbr\u003e AGE RECOMMENDATION: 3rd\/4th grade\u003cbr\u003e DURATION: approx. 60′ \u003cbr\u003eCOSTS: € 200,- per school class, smaller groups by arrangement\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e BOOKING AND MORE INFORMATION:\u003cbr\u003e via the JCOM orchestra office, Tel. 089-12289599 \/ info@jcom.de\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43214981267513,"sku":null,"price":240428.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/4zu3Kinderkonzert_c24bd484-4e4b-4f3f-82c8-51f54a17215e.jpg?v=1715947571"},{"product_id":"jewish-jazz","title":"JEWISH JAZZ","description":"\u003ch6\u003e\n\n \u003cstrong\u003eGEORGE GERSHWIN\u003c\/strong\u003e (1898-1937)\u003c\/h6\u003e\n\n\u003cp\u003e Songs ( \u003cem\u003eArrangement: Michael Wilhelmi\u003c\/em\u003e )\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e \u003cstrong\u003eERWIN SCHULHOFF\u003c\/strong\u003e (1894-1942)\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eHot Sonata (1930) ( \u003cem\u003earrangement for chamber orchestra by Harry-Kinross White\u003c\/em\u003e )\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e \u003cstrong\u003eBOHUSLAV MARTIN\u003cmeta charset=\"UTF-8\"\u003e\u003c\/strong\u003e \u003cspan\u003e\u003cstrong\u003eŮ\u003c\/strong\u003e (1890-1959)\u003cbr\u003e\u003c\/span\u003e \u003cspan\u003eJazz Suite H 172 (1928)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e \u003cstrong\u003eDMITRI SHOSTAKOVICH\u003c\/strong\u003e (1906-1975)\u003cbr\u003e Jazz Suite No. 1 (1934)\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch6\u003e Jelena Kuljić, singer\u003c\/h6\u003e\n\n\u003cp\u003e Koryun Asatryan, saxophone\u003cbr\u003e Daniel Grossmann, conductor\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch6\u003e\n\n\u003cbr\u003e \u003cstrong\u003eJEWISH\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n \u003cp\u003e\u003cspan\u003eJews and jazz? Numerous Jewish musicians were involved in the early success of jazz: Benny Goodman, Artie Shaw and George Gershwin are probably the most prominent names. Classical composers were also unable to escape the new musical style in the 1920s and 1930s, for example Darius Milhaud or Dimitrij Shostakovich, who was even a member of the official 'Soviet Jazz Commission'.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eTODAY\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eHear jazz songs like never before: Kammerspiel actress\u003c\/span\u003e \u003ca href=\"https:\/\/www.muenchner-kammerspiele.de\/de\/wir\/149-jelena-kulji\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eJelena Kuljić\u003c\/a\u003e \u003cspan\u003e, front woman of the band KUU!, together with the\u003c\/span\u003e \u003ca href=\"https:\/\/jcom.de\/orchester\"\u003eJCOM,\u003c\/a\u003e brings \u003cspan\u003eclassic songs and evergreens by George\u003c\/span\u003e \u003ca href=\"https:\/\/jcom.de\/composer-george-gershwin\/\"\u003eGershwin\u003c\/a\u003e \u003cspan\u003eand Duke Ellington into the present day.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eFOR ALL\u003c\/strong\u003e\u003cbr\u003e \u003cmeta charset=\"UTF-8\"\u003eLast year's \u003cem\u003eJewish Jazz\u003c\/em\u003e \u003cspan\u003econcert\u003c\/span\u003e \u003cspan\u003esold out quickly and showed that jazz is still music for everyone today! Secure your seats for\u003c\/span\u003e \u003cem\u003eMore Jewish Jazz\u003c\/em\u003e \u003cspan\u003eand a new, exciting program!\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43214984020025,"sku":null,"price":240410.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/4zu3jelena.jpg?v=1715952251"},{"product_id":"marc-neikrug-through-roses","title":"MARC NEIKRUG: THROUGH ROSES","description":"\u003ch6\u003e\n\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003e\u003cstrong\u003eMARC NEIKRUG\u003c\/strong\u003e (*1946)\u003c\/span\u003e\n\n\u003c\/h6\u003e\n\n\u003cp\u003e \u003cspan\u003eThrough Roses\u003cbr\u003e\u003c\/span\u003e \u003cspan\u003eA music theatre work for speaker and 8 instruments (1980)\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003ch6\u003e Martin Weigel, Speaker\u003cbr\u003e Daniel Grossmann, conductor\u003cbr\u003e\n\n\u003c\/h6\u003e\n\n \u003ch6\u003eOn the day before International Holocaust Remembrance Day, the JCOM is offering a special program for teenagers and young adults: In a combination of a conversation with a contemporary witness, Dr. Eva Umlauf, who survived the Holocaust as a small child, and a performance of the musical theater piece \u003cem\u003eThrough Roses,\u003c\/em\u003e the Jewish Chamber Orchestra Munich is contributing to the living memory of the Holocaust. In the interplay of conversation about real experiences and the fictional work of music and language, history is conveyed in a way that goes beyond factual knowledge.\u003c\/h6\u003e\n\n\u003cp\u003e \u003cbr\u003eIn 1979, the American composer and pianist Marc Neikrug was commissioned to write a new work to educate people about and address the Shoah. The work was called \u003cem\u003eThrough Roses\u003c\/em\u003e and quickly became a worldwide success. The story is as exemplary as it is cruel: a Jewish violinist may have survived the Holocaust, but the traumatic experiences haunt him. Again and again he suffers the horrors of the concentration camp; individual words and sounds trigger horrific memories: of how he was forced to play in the camp orchestra at executions, of how the orchestra had to play faster and faster while old men danced until they dropped, of how he played while his fiancée was being killed. The music that saved him becomes his punishment: in his perception, sounds become more and more distorted to the point of being unbearable.\u003c\/p\u003e\n\n\u003ch6\u003e FOR SCHOOL AND STUDENT GROUPS\u003c\/h6\u003e\n\n\u003cp\u003e AGE RECOMMENDATION: from approx. 16 years \/ 10th grade \u003cbr\u003eDURATION: approx. 90′ (conversation and concert)\u003cbr\u003e COSTS: € 300,- per school class, smaller groups by arrangement\u003c\/p\u003e\n\n\u003cp\u003e BOOKING AND MORE INFORMATION:\u003cbr\u003e via the JCOM orchestra office, Tel. 089-12289599 \/ info@jcom.de\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43214993424441,"sku":null,"price":240410.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/4zu3KZ-Orchester.jpg?v=1715948501"},{"product_id":"aus-shtetl-und-shtot","title":"FROM SHTETL AND SHTOT","description":"\u003ch6\u003e \u003cspan\u003e\u003cstrong\u003eJOEL ANGEL\u003c\/strong\u003e (1868-1927)\u003c\/span\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e \u003cspan\u003eJewish Folk Songs (1909\/12)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cstrong\u003eILSE WEBER\u003c\/strong\u003e (1903-1944)\u003cbr\u003e\u003c\/span\u003e \u003cspan\u003eSongs from Theresienstadt (1942–44)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cstrong\u003eMIECZYLAW WEINBERG\u003c\/strong\u003e (1919-1996)\u003cbr\u003e Jewish Songs op. 13 (1943)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eChamber Symphony No. 4 op. 153 (1992)\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003ch6\u003e Shachar Lavi, mezzo-soprano\u003c\/h6\u003e\n\n\u003cp\u003e Daniel Grossmann, conductor\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch6\u003e\n\n \u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan\u003eTogether with the young Israeli mezzo-soprano Shachar Lavi, the JCOM presents a journey through the musical history of Shtetl and Shtot in the 20th century: how can music preserve the memory of the long past? What musical traces of the Eastern European Shtetl can be found in (folk) song compositions by Jewish classical composers? Daniel Grossmann goes in search of traces along the biographies of three artists:\u003c\/span\u003e\n\n\u003c\/h6\u003e\n\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAt the beginning of the 20th century, Joel Engel traveled to Jewish shtetls in Galicia to document Yiddish folk music – and with the melodies, life in a long-lost world.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eThe writer Ilse Weber continued her artistic work even in the Theresienstadt concentration camp. Before being deported to Auschwitz, where she was murdered along with the children she was caring for as a nurse, she walled up her manuscripts of poems and songs so that they survived the Shoah.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eThe Second World War forced Mieczysław Weinberg to flee to the shtetl in Minsk, where he studied composition, and then to Tashkent. Shostakovich eventually invited him to Moscow, where Weinberg died in 1996. The influence of the Jewish folklore of the shtetl, which he knew from his youth, is unmistakable in his work, even into old age.\u003c\/span\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43215003222073,"sku":null,"price":240410.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/4zu3shtetl.jpg?v=1715949007"},{"product_id":"konzerthaus-wien-beckett-feldman-words-music","title":"KONZERTHAUS VIENNA: BECKETT\/FELDMAN - WORDS \u0026amp; MUSIC ","description":"\u003cdiv class=\"page\" title=\"Pages 3\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003ch6\u003e \u003cspan\u003e\u003cstrong\u003eSAMUEL BECKETT \/ MORTON FELDMAN\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e \u003cspan\u003eWords \u0026amp; Music (1987)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eRadio play for two speakers and chamber ensemble\u003c\/span\u003e \u003cbr\u003eMusic by Morton Feldman, text by Samuel Beckett, German translation by Elmar Tophoven\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch6\u003e \u003cspan\u003eBibiana Beglau, spokesperson\u003c\/span\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e \u003cspan\u003eGötz Otto, speaker\u003cbr\u003e\u003c\/span\u003e Daniel Grossmann, conductor\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ch6\u003e In 1961 Samuel Beckett wrote \u003cem\u003eWords and Music\u003c\/em\u003e for BBC Radio \u003cstrong\u003e\u003cem\u003e,\u003c\/em\u003e\u003c\/strong\u003e a play starring Words and Music, called Joe and Bob. Due to Beckett's displeasure, the work was withdrawn after its premiere. Twenty years later Beckett recommended that Morton Feldman write the music, resulting in the first complete performance produced for the American Beckett Radio Play Festival in 1987 (the year of Feldman's death). In Feldman's words, \"It was great fun to do something for Beckett, in honour of him, who had been a part of my life since the 1950s... it was a labor of love that I was delighted to do for him.\"\u003cbr\u003e\u003cbr\u003e\n\n\u003c\/h6\u003e\n\n \u003cp\u003eBeckett approached the form of the radio play in his own unique way. He lets the characters \"Words\" and \"Music\" represented by an instrumental ensemble confront each other. Both try to entertain the old and lonely Croak, even to console him by reacting to his keywords \"Love,\" \"Age,\" and \"The Face\" in their respective medium of expression.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43215008235577,"sku":null,"price":240428.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/Feldman-reads-France-Soir-68-protests_800wKopie.jpg?v=1715949659"},{"product_id":"die-butterbrotebesseresseroper","title":"THE BUTTERBREAD-BETTER EATERS OPERA ","description":"\u003cdiv title=\"Pages 3\" class=\"page\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003ch6\u003e\n\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eDANIEL GROSSMANN Musical Director\u003c\/span\u003e\n\n\u003c\/h6\u003e\n\n\u003cp\u003e \u003cspan\u003eGUSTAVO STRAUSS Composition\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e \u003cspan\u003eNADIA BUDDE Libretto, Illustration, Painting\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eSAPIR HELLER Director\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eASISA HAFEZ Theatre education\/dramaturgical consulting\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eREBECCA-MARIA FISCHER Assistant Director\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eVIKTOR REIM Stage and Props\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eISABELLE BARNES Costume\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ch6\u003e Two peoples and a question that turns neighbors into enemies: Where does the butter go? On the top or bottom of the bread? Which is the right side? And who decides that anyway? \u003cbr\u003eA wall is supposed to separate the self-proclaimed sandwich experts from each other. But the dispute escalates and both sides bring out ever bigger weapons. A spiral of violence is set in motion and soon no one knows exactly who threw the first sandwich and how the conflict, which has grown into a real threat, can be resolved.\u003c\/h6\u003e\n\n\u003cp\u003e\u003cbr\u003e The award-winning illustrator, author and translator Nadia Budde, together with the composer Gustavo Strauss, has created a world in which a conflict situation between two parties is told with a lot of humor, wonderful wordplay and rousing sounds, which is currently a serious reality in many places around the world.\u003c\/p\u003e\n\n \u003cp\u003eAround 120 children and young people from Munich and the surrounding area worked together with a directing team and the musicians of the JCOM to create this children's opera - they appear on stage as singers and actors or sit as instrumentalists next to the professionals in the orchestra pit. Over several months they received choir, singing, rhythm and music lessons and experienced the development process of an opera up to the performances first hand. The crowning finale is now four performances in the new Munich Volkstheater!\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43215015968825,"sku":null,"price":240428.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/4zu3bbbeo_applaus.jpg?v=1715951111"},{"product_id":"die-butterbrotebesseresseroper-1","title":"THE BUTTERBREAD-BETTER EATERS OPERA ","description":"\u003cdiv title=\"Pages 3\" class=\"page\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003ch6\u003e\n\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eDANIEL GROSSMANN Musical Director\u003c\/span\u003e\n\n\u003c\/h6\u003e\n\n\u003cp\u003e \u003cspan\u003eGUSTAVO STRAUSS Composition\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e \u003cspan\u003eNADIA BUDDE Libretto, Illustration, Painting\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eSAPIR HELLER Director\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eASISA HAFEZ Theatre education\/dramaturgical consulting\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eREBECCA-MARIA FISCHER Assistant Director\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eVIKTOR REIM Stage and Props\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eISABELLE BARNES Costume\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n \u003ch6\u003eTwo peoples and a question that turns neighbors into enemies: Where does the butter go? On the top or bottom of the bread? Which is the right side? And who decides that anyway?\u003cbr\u003e A wall is supposed to separate the self-proclaimed sandwich experts from each other. But the dispute escalates and both sides bring out ever bigger weapons. A spiral of violence is set in motion and soon no one knows exactly who threw the first sandwich and how the conflict, which has grown into a real threat, can be resolved.\u003c\/h6\u003e\n\n\u003cp\u003e\u003cbr\u003e The award-winning illustrator, author and translator Nadia Budde, together with the composer Gustavo Strauss, has created a world in which a conflict situation between two parties is told with a lot of humor, wonderful wordplay and rousing sounds, which is currently a serious reality in many places around the world.\u003c\/p\u003e\n\n \u003cp\u003eAround 120 children and young people from Munich and the surrounding area worked together with a directing team and the musicians of the JCOM to create this children's opera - they appear on stage as singers and actors or sit as instrumentalists next to the professionals in the orchestra pit. Over several months they received choir, singing, rhythm and music lessons and experienced the development process of an opera up to the performances first hand. The crowning finale is now four performances in the new Munich Volkstheater!\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43215038087225,"sku":null,"price":240428.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/4zu3BBEOMotiv_b5fd4970-0394-415e-8f62-8d652c758b59.jpg?v=1715951287"},{"product_id":"die-butterbrotebesseresseroper-2","title":"THE BUTTERBREAD-BETTER EATERS OPERA ","description":"\u003cdiv title=\"Pages 3\" class=\"page\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003ch6\u003e\n\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eDANIEL GROSSMANN Musical Director\u003c\/span\u003e\n\n\u003c\/h6\u003e\n\n\u003cp\u003e \u003cspan\u003eGUSTAVO STRAUSS Composition\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e \u003cspan\u003eNADIA BUDDE Libretto, Illustration, Painting\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eSAPIR HELLER Director\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eASISA HAFEZ Theatre education\/dramaturgical consulting\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eREBECCA-MARIA FISCHER Assistant Director\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eVIKTOR REIM Stage and Props\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eISABELLE BARNES Costume\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n \u003ch6\u003eTwo peoples and a question that turns neighbors into enemies: Where does the butter go? On the top or bottom of the bread? Which is the right side? And who decides that anyway?\u003cbr\u003e A wall is supposed to separate the self-proclaimed sandwich experts from each other. But the dispute escalates and both sides bring out ever bigger weapons. A spiral of violence is set in motion and soon no one knows exactly who threw the first sandwich and how the conflict, which has grown into a real threat, can be resolved.\u003c\/h6\u003e\n\n\u003cp\u003e\u003cbr\u003e The award-winning illustrator, author and translator Nadia Budde, together with the composer Gustavo Strauss, has created a world in which a conflict situation between two parties is told with a lot of humor, wonderful wordplay and rousing sounds, which is currently a serious reality in many places around the world.\u003c\/p\u003e\n\n \u003cp\u003eAround 120 children and young people from Munich and the surrounding area worked together with a directing team and the musicians of the JCOM to create this children's opera - they appear on stage as singers and actors or sit as instrumentalists next to the professionals in the orchestra pit. Over several months they received choir, singing, rhythm and music lessons and experienced the development process of an opera up to the performances first hand. The crowning finale is now four performances in the new Munich Volkstheater!\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43215040544825,"sku":null,"price":240428.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/4zu3bbbeo_probe.jpg?v=1715951111"},{"product_id":"die-butterbrotebesseresseroper-3","title":"THE BUTTERBREAD-BETTER EATERS OPERA ","description":"\u003cdiv title=\"Pages 3\" class=\"page\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003ch6\u003e\n\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eDANIEL GROSSMANN Musical Director\u003c\/span\u003e\n\n\u003c\/h6\u003e\n\n\u003cp\u003e \u003cspan\u003eGUSTAVO STRAUSS Composition\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e \u003cspan\u003eNADIA BUDDE Libretto, Illustration, Painting\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eSAPIR HELLER Director\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eASISA HAFEZ Theatre education\/dramaturgical consulting\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eREBECCA-MARIA FISCHER Assistant Director\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eVIKTOR REIM Stage and Props\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eISABELLE BARNES Costume\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n \u003ch6\u003eTwo peoples and a question that turns neighbors into enemies: Where does the butter go? On the top or bottom of the bread? Which is the right side? And who decides that anyway?\u003cbr\u003e A wall is supposed to separate the self-proclaimed sandwich experts from each other. But the dispute escalates and both sides bring out ever bigger weapons. A spiral of violence is set in motion and soon no one knows exactly who threw the first sandwich and how the conflict, which has grown into a real threat, can be resolved.\u003c\/h6\u003e\n\n\u003cp\u003e\u003cbr\u003e The award-winning illustrator, author and translator Nadia Budde, together with the composer Gustavo Strauss, has created a world in which a conflict situation between two parties is told with a lot of humor, wonderful wordplay and rousing sounds, which is currently a serious reality in many places around the world.\u003c\/p\u003e\n\n \u003cp\u003eAround 120 children and young people from Munich and the surrounding area worked together with a directing team and the musicians of the JCOM to create this children's opera - they appear on stage as singers and actors or sit as instrumentalists next to the professionals in the orchestra pit. Over several months they received choir, singing, rhythm and music lessons and experienced the development process of an opera up to the performances first hand. The crowning finale is now four performances in the new Munich Volkstheater!\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43215042510905,"sku":null,"price":240428.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/4zu3bbbeo_buehnengeschehen.jpg?v=1715951111"},{"product_id":"judisches-neujahrskonzert-5783","title":"JEWISH NEW YEAR CONCERT 5783","description":"\u003ch6\u003e Tzudik Greenwald, Cantor\u003c\/h6\u003e\n\n\u003cp\u003e Avreimy Kirshenbaum, Cantor\u003cbr\u003e Daniel Grossmann, conductor \u003c\/p\u003e\n\n\u003cdiv title=\"Pages 7\" class=\"page\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003ch6\u003e \u003cspan\u003eShana Tova – a sweet new year! Welcome the year 5783, which begins on September 25, 2022 according to the Jewish calendar, with cantors Tzudik Greenwald and Areimy Kirshenbaum, the Jewish Chamber Orchestra Munich and Daniel Grossmann!\u003c\/span\u003e\n\u003c\/h6\u003e\n\n \u003cp\u003e\u003cspan\u003eThe JCOM Jewish New Year's Concert has now become a permanent fixture in Munich's concert calendar and we are delighted to be able to celebrate Rosh Hashanah (literally \"Head of the Year\") with you again this year with rousing pieces of Jewish folk music and festive music from the synagogue.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eGuests at the concert are Tzudik Greenwald and Avremi Kirshenboim, both of whom perform in synagogues and on concert stages around the world. Kirshenboim is the main cantor of the Great Synagogue in Jerusalem and works closely with Eli Jaffe. Greenwald is the main cantor of the Jewish community in Frankfurt and, in addition to his diverse cantorial activities, he records modern songs that have a large fan base.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43215044018233,"sku":null,"price":240428.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/4zu3JCOMNJK_322045bf-4cf8-4f57-a526-39b43f957d42.jpg?v=1715952213"},{"product_id":"wagner-eine-provokation","title":"Wagner - a provocation","description":"\u003ch6\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cdiv class=\"page\" title=\"Page1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ch6\u003e\u003cstrong\u003eRichard Wagner\u003c\/strong\u003e (1813-1883)\u003c\/h6\u003e\n\u003cp\u003eSiegfried Idyll\u003cbr\u003e Wesendonk Songs\u003cbr\u003e \u003cem\u003eVersion for soprano and chamber ensemble by Andreas N. Tarkmann\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFelix Mendelssohn\u003c\/strong\u003e (1809-1847)\u003cbr\u003e Songs without words\u003cbr\u003e \u003cem\u003eVersion for chamber orchestra by Josef Piras\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohann Sebastian Bach\u003c\/strong\u003e (1685-1750)\u003cbr\u003e\u003cmeta\u003e Goldberg Variations BWV 988 (excerpts)\u003cbr\u003e \u003cem\u003eArrangement for chamber orchestra by Józef Koffler\u003c\/em\u003e\u003c\/p\u003e\n\u003ch6\u003eShachar Lavi, mezzo-soprano\u003c\/h6\u003e\n\u003cp\u003eDaniel Grossmann, conductor\u003c\/p\u003e\n\u003ch6\u003e\u003cspan\u003e\u003c\/span\u003e \u003cstrong\u003eJEWISH\u003c\/strong\u003e\u003cbr\u003e Why does a Jewish orchestra play Wagner? Daniel Grossmann answers the question very clearly: 'It's simply great music!' Is that already a provocation? Perhaps.\u003cbr\u003e In addition to Wagner's music, the concert program includes works by Felix Mendelssohn and Johann Sebastian Bach: the one a 'Jewish Protestant', the other probably an 'anti-Judaist' in keeping with his time, whose great Christian works were declared 'de-Judaization' hymns in the Third Reich. An exciting mix.\u003c\/h6\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eTODAY\u003cbr\u003e\u003c\/strong\u003e At a time when the political shift to the right is sweeping the West and 'cancel culture' is either talked about or denied in culture, the presumption of innocence 'l'art pour l'art' is no longer sufficient.\u003cbr\u003e Wagner and his anti-Semitism are often discussed: how can we play and listen to Wagner today? The JCOM would like to contribute to this discussion and stimulate thought.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eFOR ALL\u003cbr\u003e\u003c\/strong\u003e For Wagnerians and those who want to become Wagnerians, for Wagner sceptics looking for new perspectives, for the curious who want to help decide which side experiences the provocation: a concert for everyone. And: 'simply great music'?\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43539761004601,"sku":null,"price":240609.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/4zu3_Wagner_Konzertmotiv.jpg?v=1728568397"},{"product_id":"mendele-lohengrin-ein-klezmer-singspiel","title":"Mendele Lohengrin: a Klezmer Singspiel","description":"\u003ch6\u003e\n\n\u003cstrong\u003eEvgeni Orkin\u003c\/strong\u003e (*1977)\u003c\/h6\u003e\n\n\u003cp\u003e Mendele Lohengrin (2025)\u003cbr\u003e A Klezmer Singspiel\u003cbr\u003e \u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan\u003ebased on the story of the same name by Heinrich York-Steiner (1898)\u003cbr\u003e\u003c\/span\u003e Commissioned by JCOM (UA)\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch6\u003e Ethel Merhaut, singer\u003c\/h6\u003e\n\n\u003cp\u003e Stefan Merki, actor\u003cbr\u003e Daniel Grossmann, conductor\u003c\/p\u003e\n\n\u003cp\u003e Martin Valdés-Stauber, libretto\u003cbr\u003e Constanze Negwer, scenic design\u003c\/p\u003e\n\n\u003ch6\u003e\n\n\u003cspan\u003e\u003c\/span\u003e \u003cstrong\u003eJEWISH\u003c\/strong\u003e\u003cbr\u003e A poor Jewish musician, who earns a meager living performing at weddings, fulfills a dream: with his hard-earned savings, he treats himself to a visit to the Imperial Court Theater in Vienna. By chance, he hears Wagner's 'Lohengrin'—without any prior knowledge. The opera changes his life: back in his shtetl, he wants to play only Wagner's melodies at Jewish festivals, not the traditional ones—which naturally leads to a conflict.\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/h6\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cbr\u003eTODAY\u003c\/strong\u003e \u003cbr\u003eWe too must ask ourselves the questions that moved Mendele: \"What does music have to do with the Jews or the Christians? [. . .] Is music kosher? Is a melody accurate? Do you have to salt and wash the notes? Do you have to snare a fiddle?\"\u003cbr\u003e Sexists, racists, anti-Semites: how do we experience art today whose creators had political or social views that we do not share?\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eFOR ALL\u003c\/strong\u003e\u003cbr\u003e An entertaining story with music ranging from Klezmer to Wagner and the present day. A charismatic actor and a captivating singer. Plus, the diverse JCOM ensemble under Daniel Grossmann. Funny, sad, and thoughtful moments. This can only be a successful evening! \u003c\/p\u003e\n\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/BMI-Logozeile_1024x1024.png?v=1751451774\" alt=\"\" style=\"float: none;\"\u003e\u003c\/div\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43539961020473,"sku":null,"price":240609.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/4zu3_Ethel_Merhaut.jpg?v=1764233939"},{"product_id":"panzerkreuzer-potemkin","title":"Battleship Potemkin","description":"\u003ch6\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003e\u003cstrong\u003eBATTLESHIP POTEMKIN (RUS, 1925)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cstrong\u003eSilent film with live music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDirector: Sergei Eisenstein (1898-1948)\u003cbr\u003e Music: Edmund Meisel (1894-1930)\u003cbr\u003e \u003cem\u003eVersion for salon orchestra\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ch6\u003eDaniel Grossmann, conductor\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eJEWISH\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eSergei Eisenstein's masterpiece Battleship Potemkin was commissioned: Eisenstein was to make a film for the Soviet state to commemorate the first failed revolution. The result was a visually powerful film that soon attracted attention outside of Russia. Its great success in cinemas around the world would probably not have been possible without the impressive music of the Jewish composer Edmund Meisel would not have been possible.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eTODAY\u003c\/strong\u003e\u003cbr\u003e Even on its anniversary, Battleship Potemkin is still relevant: the film has shaped the iconography of the uprising for 100 years, and the famous scene on the Odessa steps is known by more than just film buffs. No less relevant is the topic of Russia's handling of its own history - all the more so, when the episode depicted in the film, the mutiny on a warship, took place in what is now contested territory in Ukraine.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eFOR ALL\u003c\/strong\u003e\u003cbr\u003e Silent films with live music are no longer just for cinematographers and nerds: a broad audience enjoys these evenings between concert and cinema. Moving images from the early days of filmmaking and music from a salon orchestra offer a completely different experience than the technically and Visually ever more 'perfect' cinema of the present. Let yourself be transported back in time.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"JCOM","offers":[{"title":"Default Title","offer_id":43824668016697,"sku":null,"price":240609.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/files\/4zu3_Panzerkreuzer_Konzertmotiv.jpg?v=1728568476"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0643\/5163\/3465\/collections\/jcom-konzertarchiv.jpg?v=1713261073","url":"https:\/\/jcom.de\/en\/collections\/konzerte-archiv.oembed?page=9","provider":"Jewish Chamber Orchestra Munich","version":"1.0","type":"link"}